Ivo Pavelek

The 50th anniversary of the Barrandov studios was celebrated with a spectacular show: many directors and other important people gathered in the expensive decorations of the Variety Theatre auditorium (built for the Circus Humberto series). They smiled and showed well-deserved relaxation after a job well done in managing socialist cinema. Vladimir Sís interspersed this with excerpts from films, mainly his own and also a little of others who had worked on the "Hill of Dreams".

Based on real event, Bolero is an excellent story of progressive recovery of a crime. The story surprises all the time, shows new connections, new possibilities, exposes new ideas and facts. It's possible to understand the film on more levels. It describes the position and all the feelings of victim's family, the police work as well as the impact of the crime on it's malefactors. It also touches the topic of moral decay of the descendants of rich, high-posted families. In addition to this, the power of the storyline is accentuated by the quality of the artistic treatment of the whole piece.

A story about a man overly influenced by the women in his life, which is unique in many ways, including the fact that he somehow turned out to be "straight" in spite of his ordeals with women, which started at birth.

The short stories about marriage that Vít Olmer wrote for Playboy magazine when Arnošt Lustig was its editor-in-chief are witty, often with absurd punchlines, and clearly show that the author is a keen observer of life around us. He selected five of them for his new Czech comedy, whose common denominator is actor Jiří Krampol, the main character in each of them.

The main characters of the film, inspired by director Soukup's own experiences at the Škodovka factory in Pilsen, are two inseparable friends who, after graduating from the industrial school, join a large engineering plant. Here they spend their first year of post-graduate life, where their vague ideas and ideals clash with their completely different life experience. In addition to their conflicting work experiences, Ondřej and Cyril have to deal with their own personal problems. They have big plans for the future, but their dreams are unexpectedly interrupted by a tragic event.

A young promising Olympian, Robert, shoots two police officers in a fit of rage. Lieutenant Morton sets out on his trail with a single goal in mind: to catch the killer.