Ron Peck

In the docklands of East London stands the Empire State, a nightclub full of magic and mystery. Designed like an ocean liner, it's become a battle ground where anything can happen. In the midst of the action, a young boy stows aboard to search for his friend who has disappeared in the entrails of the club.

Using interviews with close family, friends and collaborators, The Gospel According to St. Derek bears witness to Derek Jarman’s unique approach to low-budget film-making (his near-alchemical ability to turn the base components of film-making in to artistic gold, his placing of himself at the heart of all his work and his need to be part of a repertory company-type set-up). The Gospel… also promotes Derek Jarman’s importance as one of Britain's finest film-makers and acts, therefore, as a rally call to all would-be independent film-makers. This is the ’10 commandments of St. Derek ‘(who was indeed canonised by the Sisters of Perpetual Indulgence) on low-budget film-making.

A male model's poses are accompanied by a photographer's narration exploring censorship, self expression and sexual desire.

Ron Peck talks about his experiences of growing up as a gay man, the attitudes to homosexuality in Britain, and his journey towards making his film "Nighthawks".

Set in the shadowy world between boxing and crime, the drama follows the fates of several young East End boxers as they are tempted into a life of crime and 'real money'. All characters are played by real-life boxers, boxing trainers and their families.

In 70s Great Britain, a gay teacher is forced to hide his sexuality by day while living his secret life by night.

Fighters is often cited as the definitive documentary film on the subject of boxing. It brilliantly captures both the romanticism and the agonising, sweat-dripping discipline inherent in this hardest game of all.

Paul Hallam reads from one of his screenplays while the various sex shops and takeaways of Soho, London, provide the imagery. Filmed on a digital video camera and from a single viewpoint in a first floor flat.

Derek Jarman’s Will You Dance with Me? is an essential document of LGBTQ London that was unseen until 2014, 30 years after it was originally shot. In September 1984, Jarman was invited by director Ron Peck and writer Mark Ayres to record improvisations at Benjy’s, a gay club in East London’s Mile End district, as part of the early experimental work for their feature film Empire State, a neo-noir that would be released in 1987. The coed, racially diverse crowd of roughly 100 people at Benjiy’s that night included club regulars, bar staff, and potential players in Empire State. Every single detail captured in Jarman’s on-location assignment abounds with era-specific riches: from the New Romantic cutie journaling while nestled in a corner booth to the DJ’s cheerful exhortations and the songs he spins (“Let the Music Play,” “Planet Rock,” “Relax").

A married couple - the man a closeted homosexual, the woman bed-ridden - struggle with their relationship.

Railman is a film concerned as much with the distribution of roles within the film collective as with getting “as close as possible to the life and routines” of an NUR station master. Filmed at Grove Park Station, Lewisham, in south east London, and set against the backdrop of state divestment in transport infrastructure, Railman might be regarded as a modest and experimental corrective to officially sanctioned British Transport Films.

Tape/slide programme made as part of the East End Festival. It shows the history of cinema and theatre existing in East London, combining a collection of historic photographs and interviews.

Extended featurette shot during the production of Fighters (1991), detailing Mark Kaylor's comeback match.

A film based on a search undertaken by filmmaker Ron Peck into the life and work of the painter Edward Hopper.

Short documentary about allotment-holders in East London.

A dangerous game of bingo.