Acting
Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.
Count Dracula trades Transylvania for Italy in search of fresh blood and Western standards of living, but finds instead his ancient love Zora, reincarnated as a young graffiti artist from the Roman hip-hop scene.
Sister Emanuelle and Sister NanĂ go to meet Mr. Cazzabriga, who has a problem: his wild-child daughter, Monica, who he wants to send to a Catholic school to remove her from temptations around the house.
Horror/sci-fi anthology with a punk streak, co-directed by and starring — among other newcomers — Asia Argento.
A meek accountant buys himself a gun and finds out he's a natural marksman. After the friend who introduced him to shooting is killed by gangsters, he seeks revenge.
The tormented life of Dante Alighieri, from solitary childhood to death in exile, seen through Giovanni Boccaccio’s journey to rehabilitate his memory.
In the French countryside, circa the 17th-century, Serafina, Pulcinella and Isabella are three lusty, beautiful members of a travelling theatrical troupe, leaving in their wake a crop of broken hearts.
An American businessman returns to Italy for the first time in four decades, only to discover that an old girlfriend of his, along with her brother, have involved him in a massive hoax.
Shunned by his church, a seminary student takes refuge with an excommunicated priest who teaches him wizardry and black magic.
When his destituite widowed sister-in-law—whom he had never stopped harbouring feelings for—and her ne'er-do-well son come to live with him after World War II, a mentally-ill farmer who spends all his time destroying unexploded ordnance scattered across the countryside finds a new purpose in his lonely life.
In a fascist Rome anxiously awaiting Hitler's visit, Raul is a young man not aligned with the regime and beset by debts. In May 1938, Raul kills an old usurer and her sister: not out of necessity, but to investigate the concept of the "right to kill" ... who can motivate it and assume the right?
St. Petersburg, 1860. After a member of the imperial family is assassinated, Fyodor Dostoevsky meets one of the conspirators, who reveals that his comrades are planning another attack to the Tsar's life. Plagued by debts and struggling to finish his latest novel, Dostoevsky must act fast to call off the plot.
Lorenza is 30 years old and has not yet found the man of her life. Not wanting to be alone, she decides to take the penniless Riccardo as her husband "for rent".
The film is set in the elegant café "Il Quattro Palme" traditionally frequented by intellectuals, lovers of lyric music and poetry.
