Jean-Claude Guiguet

A talk show presented by Michel Drucker

A series of shorts about the AIDS crisis, homosexuality, and the reinvention of love in such conditions.

Claire, a young woman visits an old friend to relieve her heartache.

Camille, a young, provincial, proletarian man works for Hélène Courtray, who is still beautiful and seductive. She's a sophisticated, cultivated and well-to-do woman who has engaged him to care for her reclusive son who has spent the past few years voluntarily locked up in his room. An encounter between two persons and two worlds where the relationship of the young man to this closed, strange and unknown universe rapidly turns tragedy.

Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.

Ismael and Julie, in the hope of sparking their stalled relationship, enter a playful yet emotionally laced threesome with Alice. When tragedy strikes, these young Parisians are forced to deal with the fragility of life and love. For Ismael, this means negotiating through the advances of Julie's sister and a young college student – one of which may offer him redemption.

Émile targets women he believes are too depressed to go on living. As multiple victims fall to his suffocating white scarf, an inspector resorts to unorthodox methods to get him with the assistance of a potential victim.

Nine short films about love.

The fortunes of a small theatrical company based in the Paris suburbs.

Christian, an art critic, must write a study on the painter René Dimanche in order to understand why he did not produce anything for eight years. He asks his friend Ingrid to help him break through this mystery.

Christina Goering and Frieda Copperfield suddenly decide to abandon their suffocating universe. They embark on a trip around the world in search of an impossible sanctity.

The fantasies and dreams of two over-the-hill actresses are intertwined with their realities, as the two roommates struggle to survive their day-to-day lives in the expensive and difficult world of Paris.

From the mid sixties to the late nineties, movie theaters of the Golden Age discreetly shut down by the hundreds, in one neighbourghood after another, in one village after another, ending their existence in showing blue movies and Z movies - Except for the reopening of a few, they all became, at best, garages, places of worship, discount stores and supermarkets. These ancient movie temples - huge cathedrals or tiny chapels - still stand out from present-day too common buildings. If this movie is a journey into the past, revealing a silent world that is lost at the very core of modern cities, it also sends all moviegoers back to their own memories and to their intimate relationship with the passing of time. Each deserted theater, each facade of old movie houses, keeps its very own untouched emotional power - NOWADAYS.

A young French man (Philippe Garziano) bicycles across town after an evening out to spend the night with his boyfriend.

Pierre Lentier murders an 8-year-old in horrendous circumstances. This 30-something solitary factory worker who lives on the edge of society is sentenced to death. A damning indictment of the death penalty and the manipulative behaviour of the media.

A woman returns after twenty years to Toulon where her husband, who collaborated with the nazis, was murdered. Her motives are unclear.

The new Saint Denis-Bobigny streetcar picks up and drops off commuters in an all-too-brief transit of their lives. Among the regular riders is a woman who is both spectator and guide – she introduces, comments on, ponders and catalyzes the sometimes vain, sometimes serious preoccupations of her fellow travelers, who, for the moment, are rushing headlong toward their destiny. The commuters and their observer have double lives. Once they step off this streetcar, the real-life dramas begin. Each has his or her style of living or dying…

Imagine a slightly dilapidated three star hotel in the tenth arrondissement run by a very distinguished lady with moral fibre and panache, Mrs. Coppercage. Alongside tourists visiting Paris, Mrs. Coppercage rents three rooms to three women at a monthly rate. Each woman is marked by life, yet they go on as best they can, never closing their eyes to the world around them, or to the men who impatiently await them. Faubourg Saint Martin opens as a love story and ends like a song as shots ring out and punctuate the chorus.

No description available.

An old woman who is unaware that she is near death, falls in love with her son’s young American tutor.