Klaus Poche

The film concentrates on the last days of the German navy during World War II.

East Germany, late 1970s. At an East Berlin clinic reserved for high-ranking officials, two men meet who have only one thing in common: both suffer from heart disease and are terminally ill.

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For her husband, who has become famous as an actor, Angelika is the go-to girl. For years, she stands in his shadow. The only things they do together are premiere parties and receptions. Angelika, who is becoming increasingly frustrated, finally wants a satisfying occupation with which she can gain recognition. But this is where the problems really begin for the couple.

A group of men, addicted to pornography, have a chance to live out their fantasies but find that the reality is far different from what they expect.

After 20 years and with their children gone, Georg and Charlotte face unexpected distance. Charlotte, eager to enjoy newfound freedom, clashes with Georg, who withdraws into solitude. Their once-solid marriage frays as each insists on personal plans, leaving longtime friends Peter and Christa to watch the uneasy drift.

Originally banned in 1966, East German director Jürgen Böttcher's tale of love and disillusionment among two newlyweds attempting to navigate the treacherous world of marriage was never officially released in his homeland until after reunification in 1990.

Three couples want to spend a short break together. Some have a traffic accident, the others are prevented professionally. So the designer Robert and the youth helper Ellen are forced to spend the days in a remote farmhouse alone with her young son. The previously suppressed marriage crisis breaks open. Allegations, confessions, charges, self-accusations are in the room. Painfully, they come to the realization that only their own happiness is responsible for their happiness. With the old landlord, each of them finds himself. In the end, Robert and Ellen want to try a new beginning.

The TV documentation reconstructs the incidents between May and November 1989 from the point of view of the Politburo of the GDR (German Democratic Republic). The incidents include the fraud of local elections, the opening of Hungary's borders towards Austria, the ensuing tide of East German refugees to Hungary and Czechoslovakia for transfer to West Germany, the pompous ceremonies at GDR's 40th anniversary, the inept transactions the Politburo took to salvage the situation, the resulting dismissal of their leader Erich Honecker, the international press conference in East Berlin on 9th November 1989, at which Politburo member Günther Schabowski erroneously announced the immediate opening of the 'Iron Curtain', which finally led to the collapse of socialism in the GDR and the other East Bloc countries.

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The fully loaded Trabi rolled towards the Baltic Sea and father Detlef is for once in excellent mood. Did he not agreed with his friend Alfred, located immediately each issue back with an urgent telegram from the resort. But as the two then adventurous go stalking in the jungle of the big city, they experience a failure after another. Sullen Detlef longs for marriage Trott and campground. There would be matched and over the years rather bland become married woman Eveline is undergoing a remarkable transformation.

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19-year old Peter is working to gain practical experience for his planned medical studies. But his life turns into confusion as he unexpectedly comes a father.

A divorced woman tries to restart her life.

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The ageing actor Peter Poller, whose name still has traction, is engaged as a guest at a provincial theater. They are performing a play by Molière. Poller is an alcoholic and his physical collapse is only a matter of time. His colleagues are watching him: the fear that the performance could fail through his fault is coupled with envy of his star role, which he also plays in his private life. His old "friend" and rival, the actor Karl Tietz, lurks unsuspectingly for the opportunity to stand in for him. Only the young Dagmar Möller seems to trust her great colleague. She makes every effort to help Poller overcome his problem and mediate between him and Tietz. But the battle continues - one wants to destroy the other. In the end, it is Dagmar who is broken by this game of intrigue, which she does not want to play and which she is not up to. However, the two old ladies are back on stage together - in a role that, like so many others, will "irrevocably" be their "last"...