Ramchandra P.N.

An anonymous multinational company interested in capitalizing natural resources, deceitfully leads a powerful politician's wife and her chauffeur on to an empty flat in a big city promising them a better life. The couple are surveilled upon by a faceless representative of the company who not only controls the supplies that go into the flat, but also mysteriously, the space and time inside. As the couple are coerced and blackmailed into going through a series of role-playing, the lines between the past, present and future mystically get blurred. Also blurred are their very existence.

When Junior forgets to write an essay for School, He narrates the story of a fun and bizarre Sunday to his Teacher to escape the punishment. He and his parents go through a series of adventures culminating in a colourful chaos.

Suddha depicts the death of the feudal system that existed among the Tulu speaking community in coastal Karnataka for many years, and the impact of The Land Ceiling Act, which was ushered in during the sixties and seventies, on its social structure. It is the story of modern India - of changing caste equations and a realisation of this reality among the land owning class, albeit a bit late. Though the film is set in a remote village near Mangalore, it could well have happened in any other village elsewhere in India. An ex-landlord family comes to terms with the fact that they are living in their last leg of feudal existence when it cannot perform a last rites in a grand manner in which it was once used to.

Two filmmakers meet after a gap of fifteen years. As one of them narrates a script of a film to the another, the past catches up with them - the question of success, of failures and of a subtle comparison of individual achievements arise. The duo by the end of the film realize that they are as bankrupt as ever - literally, and in all sense of the word.

In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?

A Gram Panchayat (Village Governing Party) in rural India facilitates the functioning of a Makkala Samiti (Children's Committee). The committee acts as a pressure group in trying to get the local governance react to various social issues that it raises. Guided by a sympathetic school teacher, the children’s honesty and persistency ruffles many feathers among the adults, some of whom have been using the ‘Makkala Samiti’ for their own needs.