Petr Uhlík

A Prague police unit reopens time‑critical cold cases before the statute of limitations runs out, pairing a seasoned loner with a principled young detective to re‑examine old evidence and pursue new leads across real city locations.

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It is the spring of 1948. The joy of peace has not yet faded, and both East and West are already afraid of World War III. Both worlds are separated from each other by the deep forests of Šumava. Twenty-four-year-old cook Josef Hasil serves in the kitchen of the National Security Corps in Zvonková. Wild boy. He had already experienced the war in a German labor camp and as a link between partisans. Now he longs above all for fun, adventure, freedom. The last thing he cares about is politics.

The Markovič Method: Hojer is a six-part series about the capture and conviction of one of the most horrific serial killers in the era of normalization in Czechoslovakia, Ladislav Hojer, by the legendary detective Jiří Markovič.

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Prague at the end of the 14th century: King Wenceslas, his brother Sigismund, the Archbishop of Prague Zbynek and three popes are locked in a power struggle. All lay claim to influence over the Holy See. Jan Hus, a master of Charles University and preacher, feels partly responsible for the fate of the divided church and its faithful, for whom it serves as a role model. He thus attracts the resentment of the powerful. "Jan Hus" is the story of a man who, because of his convictions, faced death in the battle between the opinions and ambitions of ecclesiastical and secular authorities.

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Colorful characters of various ages, personalities, professions, and hobbies are all searching for happiness, though each in a different place and with a different outcome.

Jiří Markovic thought capturing Ladislav Hojer would be the defining case of his career. He was wrong. As communist Czechoslovakia prepares for the 1985 Spartakiad, an unpredictable serial killer terrorizes Prague. Under intense pressure from state authorities, Markovic and his team race against time to stop a murderer the entire country fears, testing the limits of justice, politics, and morality.

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The film intertwines several stories connected by one important football match between Sparta and Slavia.

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Veronika and Mirek try to revive their relationship with a horror-themed Valentine’s trip to the Slavkov Forest, known as the “Knot of Evil.” The tour group includes anxious guide Alex; Ludmila, a detective novel fan sent by her kids; Honza, an extroverted gay journalist seeking a big story; and David and Dana, a married couple who reflect what Veronika and Mirek fear becoming. The bus visits historic massacre sites that seem unimpressive at first, but after Veronika discovers a strange doll, eerie changes unfold. Tensions rise as the travelers’ darker sides emerge—fear, aggression, and suspicion lead to growing hostility. A haunting cry echoes through the woods, suggesting the presence of a mythical being tied to the Slavic legend of the Navka, a spirit from the realm of the dead.

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The world I believed in is slowly disappearing. It started with crucifixion and the end of matriarchy. Since then, the powerful have been murdering in the name of good. The end of matriarchy and crucifixion. Symbols of ruin. I am an old, tired, white, heterosexual macho man. I received a photo from my deceased friend, a gay man. A photo of a beautiful naked girl. I took advantage of it, undressed eleven beautiful girls, and made a film.