Juan Gatti

A brilliant plastic surgeon creates a synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.

Two unmarried women who have become pregnant by accident and are about to give birth meet in a hospital room: Janis, in her late-thirties, unrepentant and happy; Ana, a teenager, remorseful and frightened.

Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

After being dumped by her lover, Pepa finds her life and the lives of those around her spiraling out of control in a deliciously chaotic series of events.

After 25 years, a former hired gun visits his old colleague, now a small-town sheriff. Their past relationship is explored, as is how they reflect on it in the present.

Ramiro Forteza is a Premier League goalkeeper whom the Civil War and the rigors of the war led to make a living visiting villages and challenging locals to mark him penalty goals. One evening he arrives to a town in Asturias and meets Manuela, a young widow with a son, who survives sewing for Ursula, Andrade's wife, the Civil Guard sergeant.

Joan Crawford is a Hollywood legend. She star of bright and somber melodramas. She reigned on the screens for several decades, but every kingdom has her sunset. At that twilight moment, and as if trying to escape that crossroads, Joan decides to call the notable American artist, the greatest exponent of Pop Art: Andy Warhol. Her intention is to replace her muse, Elizabeth Taylor, in the serigraphs that the artist will present at the Ferus Gallery in Los Angeles. This intrusion will give rise to a telephone conversation where the queen of melodrama will confirm that the world has changed and that her cinematographic life in black and white is already part of an implacable past.