Camera
The portrait of a young girl from the Parisian bourgeoisie. As a brief shot indicates us, it could have been called "Portrait of the artist as a young girl." though probably "young girl" is just a previous title, but the style and the presence of the Father leaves no doubt about who paints and who's hiding behind the young girl.
Liza meets the artist Giorgio and falls in love with him. She dreams of becoming the wife of Giorgio, but he is married. She dreams of being a close friend to him, but he has a favorite dog. Liza is ready for any sacrifice for the sake of her love. She kills Giorgio's dog and takes her place. Now she is a woman who always and everywhere follows her master.
Jean-Baptiste, a filmmaker, and Elie, an actress, fall in love. To fight their unhappiness, they cling to their children: Jean-Baptiste to his film and Elie to her young son.
Film comprised of six vignettes each illustrating one aspect of life in the French capital, each set in a different area of the city.
An actor is placed in dangerous situations and his fear will be broadcast to the television audience. The audience's emotions will determine whether he is sent into the future or the past.
A young couple skip school to spend time together in a mansion.
Sarah, an actress nearing her forties, has invited 3 friends to join her for a holiday in Provence. This is the prologue for what happened a year ago in Paris with a man Sarah had long considered a platonic friend. She had just finished a film, had also finished her relationship with the director and was about to receive an award…
Five romantic characters share their lives in a vast castle. Each in his own way is looking for an absolute: J. wanders in the graveyard, B. hacks, C. causes love adventures, A. walks the forest on his horse, and F. repeats in a rock band . A. and J. nourish an idyll that leads them on an "initiatory" journey. Different states of mind pass through them, a sweet mixture that will make them rediscover the world of childhood and haunted castles ... Sonorized with the voice of Antonin Artaud, shot with a very contrasting photographic process, Le rouge de chine refers to the origins of cinematograph.
In the mist of the Algerian events, a man finds a fugitive happiness beside a local woman.
A young film director is making a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined, and the film - told through five dreams - is as much the story of a film in-production, as the birth of a child.
This is the adventure of two men, John and his sergeant Karl, through a hostile and generous forest. It is also the evolution of their relations, of their respective choices in front of the events which face them.
