Agathe Berman

A divorced teacher suddenly becomes jealous of everyone, including her daughter, friends and neighbors.

Samson Cazalet, Taxi driver in his thirties, picks up a client at the airport. The same evening, the daughter of the woman disappears and the overwhelming evidence points to Samson. How can he prove his innocence when he is the ideal suspect?

Marie, a pretty young woman, wanders through the aisles of a futuristic supermarket where everything, from the miracle pill to the virtual man, is for sale. Tonight, she's having a birthday party. She's invited a few old friends and their virtual companions. Everyone is young, beautiful and meek.

For forty years, a filmmaker has obsessively collected magazine covers, articles, and photographs of Isabelle Adjani, carefully cutting and pasting them into large notebooks — now reaching volume 42. Les Cahiers d’Adjani transforms this lifelong fan devotion into a cinematic exploration of memory, obsession, and the passage of time. As the director finally dares to turn his camera toward his own secret archive, the film unfolds as both an intimate self-portrait and a reflection on fame, desire, and the fragile bond between artist and admirer. Through these meticulously crafted “cahiers,” it becomes a story of objects, collectors, family, and the strange ways in which a life can be shared with a star through images.

With her flashy sneakers and digital tablet, Suzanne personifies the trendy grand-mother although she can’t recover from the death of her husband. A body double of the late spouse suddenly appears in this moving and comical portrait of the apparition of a disparition.

When their beloved Polish immigrant mother passes away, the sisters Emma and Rosemonde and their brother Charles, are obliged to deal with the personal and physical aftereffects, which include the cozy, old fashioned flat where she lived on the movie’s titular street (located in the heart of Paris’ chic 2nd arrondissement).