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Uta Erickson

Uta Erickson

Acting

Biography

Uta Erickson (who often used the stage names "Artemidia Grillet" and "Carla Erikson") was a Norwegian actress who was in many sexploitation films of the late 1960s. She starred in several provocatively titled films directed by Michael and Roberta Findlay, including The Kiss Of Her Flesh, A Thousand Pleasures, The Curse Of Her Flesh, and The Ultimate Degenerate. Erickson was also a favorite of directors Doris Wishman (Love Toy) and Barry Mahon (Sex Killer). Some of her films, notably Mnasidika were arty enough to pass as the "low end" of an arthouse pairing with a film by a European auteur. Ms Erickson's current whereabouts, or even if she is dead, or alive, are unknown.

Known For

Love Toy
4.2

A degenerate gambler, unable to come up with the cash necessary for a high-stakes gin rummy game, bets his nubile daughter. And loses. His daughter becomes the delectable property of a hot-to-trot sex fiend and becomes involved in a catalog of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, among other retrogrades.

Love Toy

1971
The Amazing Transplant
4.3

A nice guy turns murderous after undergoing a penis transplant.

The Amazing Transplant

1971
Unholy Matrimony
4.3

Sexual indiscretions are used as a basis for blackmail.

Unholy Matrimony

1966
The Ultimate Degenerate
4.8

Man drugs, photographs & tortures women he meets by personal ads.

The Ultimate Degenerate

1969
Sex Circus
4.0

A sadistic lion tamer recruits girls for a circus style nightclub.

Sex Circus

1969
Seeds
5.6

An angry, alcoholic matriarch tyrannizes her spoiled, grown-up children during an unwanted family get-together, where someone begins killing them one by one.

Seeds

1968
No image
10.0

No description available.

Interplay

1971
The Good, the Bad and the Beautiful
5.0

A look into the cruelties and perversions of politicians.

The Good, the Bad and the Beautiful

1970
Beware the Black Widow
4.3

Previously lost proto-slasher involving Mafia members bumped off by a black-clad, veiled "Black Widow" within the New York City underworld, as seen by newspapermen sifting through a cast of prostitutes and thugs.

Beware the Black Widow

1968
Wendy's Palace
3.3

Small town gal Wendy resorts to prostitution after moving to New York City. Wendy gets busted by corrupt vice cop Vince and winds up spending 90 days in jail. In the wake of finishing her sentence, Wendy decides to quit working the streets by owning and operating her own brothel instead.

Wendy's Palace

1971
Olga's Dance Hall Girls
4.4

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

Olga's Dance Hall Girls

1969
No image
3.9

Monique is so anxious to become a movie star that she gets naked for a producer, watches other naked girls in the producer’s other naked movies, and finally ends up starring in a naked skinflick where she’s tied up by a fetish freak. All of which is dutifully chronicled by her obsessed roommate Rita.

Monique, My Love

1969
Marcy
5.2

Marcy is forced to change her sexual orientation because of town rumors.

Marcy

1969
The Kiss of Her Flesh
5.3

Richard has lost what little sanity he had left, instead putting all emphasis on seeking out and brutally slaying any and every woman who crosses his path. However, this time he might have met his match as his deceased wife's sister, Maria, is hellbent on putting an end to his orgiastic rampage.

The Kiss of Her Flesh

1968
Passion in Hot Hollows
3.8

Cruel, conniving Norma Sue returns to her backwoods hometown with her stud lover to wreak havoc on the local denizens. Her main target is her sexually repressed sister, who runs the local hotel. At the same time, jobless slacker Billy Joe commences an affair with a broke immigrant lady whose husband is overseas. Pressured by his cheating wife to earn some cash, he decides to pimp his new paramour. Norma Sue's scheming eventually involves all these characters in intense, often nasty, interlocking liaisons, betrayals, seductions and violations

Passion in Hot Hollows

1969
Electronic Lover
3.8

The Master is a peeping tom who sends his minion to follow various women around with a video camera, the images being sent back to the Master's lair where he can enjoy it in solitary.

Electronic Lover

1966
The Curse of Her Flesh
5.5

Continuing his quest to rid the world of sex-crazed females, Richard ups the ante - and bodycount, devising an array of increasingly gruesome methods of dispatching his victims all while planning the ultimate revenge against his wife's lover, Steve.

The Curse of Her Flesh

1968
Daughters of Lesbos
4.6

Exploitative look at a secret club for women where they can go to be with other women.

Daughters of Lesbos

1968
The Sex Killer
3.6

A loner who works in a mannequin factory stalks and strangles women in Times Square.

The Sex Killer

1967
Anything Once
3.7

A lesbian actress in a Broadway play sets her sights for her two beautiful co-stars.

Anything Once

1969