Wallie Ruy

Raquel is a girl, adopted by an upper-middle-class family, who rebelled at 17 and left her family and studies at a traditional college in São Paulo to become a prostitute.

A zombie apocalypse that imprisons participants and producers of a reality show called Olimpo, The House of the Gods. The studio becomes a shelter for those who seek salvation in Rio de Janeiro where chaos and hopelessness begin to rule.

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Three friends leading a nonprofit organisation investigate environmental crimes in the Amazon involving a major mining company.

A new guardian "angelus" uncovers a secret behind the Angelus System's bureaucracy that leads him to break its official rules about protecting humans.

A group of teenagers gets unintentionally involved in a conflict between Japanese Shinto ghosts and Brazilian witchcraft.

The nightclub "TransNight" opens while mysterious trans murders happen in São Paulo.

Selminha is back! Now wealthy and willing to pay generously for all her needs and desires. The problem is that a poor person’s happiness is brief: a namesake heir appears claiming that she is the legitimate inheritor and Selminha’s assets are frozen. Her only source of income becomes a minimum wage salary of R$30 per day. However, Selminha has already forgotten how to live the hardships of poverty. And worst, she is the patron of the Quintino community, and with her financial difficulties, the community also feels the squeeze.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

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Helen lives in a cortiço with her grandmother, Mrs. Graça, who supports the family with informal jobs, such as selling skewers. Still very naive, her biggest concern is buying her grandmother a birthday present: a makeup kit. The girl is going to bend over backwards to get the money and her search will reveal the daily life of those living in tenements, outlining a collective story from the network of relations that the girl establishes.

In a quilombo in the backlands of Ceará, Dulce witnesses the murder of her partner, Davi, carried out by gunmen on the orders of a foreign mining company. Threatened, Dulce goes to São Paulo, where she gives voice to the crime that occurred and denounces the involvement of the multinational, with the support of NGOs and lawyers. Orphaned and raised on a mission by sisters, Dulce is sought out in São Paulo by Beatriz, who reveals herself to be her mother. Abandoned as a baby, she also discovers that she has a twin brother, now her sister Marisa, who owns a karaoke bar with a "refuge" spirit, which brings together an LGBTIQ+ audience, a completely new universe for Dulce. Dulce and Marisa demand that Beatriz reveal something about their unknown father and now set off together, back to the backlands, with two missions: to celebrate the victory of the quilombo and to find the father who never knew of his daughters' existence.

Due to her father’s death, Marie returns to the countryside after 15 years. Her childhood friend, Estêvão, is leaving with her on a trip to Crato, her father’s hometown.

Claudia Wonder died in 2010 and her grave was abandoned in a dirt road without a photo or identification. The Known Daughter of Claudia Wonder claims the right to the ethernity of her trancestry.

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