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Joseph P. Mawra

Joseph P. Mawra

Directing

Biography

Joseph W. Mawra grew up in Queens , NY. From 1956-59 he attended Hofstra University, where he took courses in such subjects as English and creative writing. He got his start in show business as a freelance joke writer for talk show host Jack Paar. Mawra went on to edit advertising spots and trailers for motion pictures. He eventually wound up working for Stan Borden, who owned the production / distribution outfit American Film Distributing Corp. (AFDC). Over a two-year period Mawra made the four entries in the "Olga" series starring Audrey Campbell as sadistic crime ring boss Olga for Borden and producer George Weiss: Olga's House of Shame (1964), White Slaves of Chinatown (1964), Olga's Girls (1964) and Mme. Olga's Massage Parlor (1965). Shot in black and white on an average of four to five days on extremely modest budgets, these gritty exploitation features have gone on to amass a substantial cult following. Besides directing these movies, Mawra also edited them and worked on the trailers. In the wake of making the Olga pictures and weathering a storm of controversy in an obscenity court case against Olga's House of Shame", Mawra moved with his family to Long Island and directed several more films, including All Men Are Apes! (1965), Murder in Mississippi (1965), Mondo oscenità (1966) and Fireball Jungle (1968). After serving as an executive producer on Rain for a Dusty Summer (1971), Mawra continued to work in the motion picture industry editing, producing and writing the copy for trailers as well as a young children's TV program to teach kids how to tell stories through writing.

Known For

Olga's House of Shame
4.5

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

Olga's House of Shame

1964Movie
Olga's Dance Hall Girls
4.4

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

Olga's Dance Hall Girls

1969Movie