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Otto van Neijenhoff

Otto van Neijenhoff

Directing

Known For

De big van het regiment
9.0

Diary fragments tell of the arrival of Belgian refugees across the Dutch border in winter 1915. Reserve lieutenant Berkhage returns from the Belgian border with a refugee child. Named "Big" by the company the kid soon becomes the regimental darling.

De big van het regiment

1935
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Fragment nul uur nul chimes with the tune of such a symphony, yet plays eclectically with form and image. A hidden gem, it was originally conceived as a backdrop to a theatre play and offers, if you will, a form of expanded theatre/cinema. The Filmliga protagonists‘ practice to cut up films as they seemed fit, or to show only fragments and loose ends to support their aesthetic preferences, is reflected here.

Fragment nul uur nul

1928
Vereenigde Glasfabrieken Schiedam
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No description available.

Vereenigde Glasfabrieken Schiedam

1932
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Poetic feature about the last Dutch horse-drawn barge making a journey through the landscape of Holland with its mills and canals. A man is leading the horse along the tow-path. On the aft deck of the vessel is the skipper, two women in traditional dress and a man chewing tobacco. In the fo'c's'le is a young woman staring wistfully into the distance. On the roof of the cabin, a man is playing accordion. The woman at the stern talk together and sometimes they point at the sad girl. In one version of the film there is a glimpse of the young woman walking arm-in-arm with a young man while being spied upon by another woman. While the people on board are occasionally shown in close up, the landscape glides past te spectator at the gentle pace of a tow-boat.

Canal Barge

1933
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A window of a house in the country mirrors the life of a young woman and a young man who come to take up residence there, hoping that the woman will regain her health. The two young people enjoy the sunshine and the flowers in front of the window. However, when the woman is taken ill again, the flowers make way for medicine bottles. She dies and the curtains are closed. The film ends, as it started, with a sign 'To Let' in the window.

Het venster

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No description available.

De moord van Raamsdonk

1933
What now
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No description available.

What now

1930
Hout-industrie
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No description available.

Hout-industrie

1929
Paraat
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No description available.

Paraat

1949
Zee
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No description available.

Zee

1932
Epe op de Veluwe
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No description available.

Epe op de Veluwe

1933
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A Cannes film festival nominated short feature.

En route

The Fishing Port of Scheveningen
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Documentary about Vissershaven in Scheveningen.

The Fishing Port of Scheveningen

1925
State Coal Mining Company, Heerlen
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Documentary about the Staatsmijnen (state mines) in Limburg, Netherlands.

State Coal Mining Company, Heerlen

1927
Ten Hope's Handel Maatschappij
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A short documentary on how different food products are manufactured.

Ten Hope's Handel Maatschappij

1928
The Hague Electric Company
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Dutch promotional film showing shots of cables being laid in a busy street. The film also shows the convenience that electricity brings to household chores, such as ironing and vacuuming. Many devices are filmed in close-up. In this film, Otto van Neijenhoff employs more of an avant-garde style than he typically does in his other films. Atmospheric images of trams and trains, with much use of dissolves, as well as evening and night shots in the illuminated city.

The Hague Electric Company

1929