Directing
Dadinho, an old samba composer, is taken by his granddaughter to his brother’s funeral, composer from a rival samba school. Along this path a history of rivalry, samba and betrayal emerges from the past.
Maya is accompanied by Glória, her best friend, who promises that she will always be with her, into a clandestine appointment. Both trans women, Maya wants silicone, but a timely intervention leads her to change her mind. When they leave, it’s Christmas night and it’s pouring rain. They take refuge in a bar, owned by a Nigerian refugee named Kakule. Bia also takes refuge there, fed up with constant fights with her boyfriend. And so their paths cross.
One day in the São Paulo's most unequal neighborhood.
So we call the circus our world, it's our little world. Outside the fence is the world that is the world. Inside the fence is our world.
To start again, one has to destroy.
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