Nina Divíšková

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Set in Czechoslovakia, the drama follows the lives of its characters against the backdrop of real historical events that shape their personal stories. To evoke period atmosphere, the series intersperses authentic clips from vintage Czechoslovak film newsreels, using their original commentaries or newly recorded historical voice-overs by Vladimír Fišer. A narrator, initially voiced by Vojtěch Kotek and later by Matěj Hádek, provides continuity and reflection, guiding viewers through changing times. Under the guidance of screenwriter Rudolf Merkner, each episode’s script weaves family and individual dramas into key moments of Czech and Slovak history: political shifts, cultural trends, and social transformations from the 1960s onward.

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Valerie, a Czechoslovakian teenager living with her grandmother, is blossoming into womanhood, but that transformation proves secondary to the effects she experiences when she puts on a pair of magic earrings. Now seeing the world around her in a different light, Valerie must endure her sexual awakening while attempting to discern reality from fantasy as she encounters lecherous priest Gracian, a vampire-like stranger and otherworldly carnival folk.

While on vacation with their bickering parents in Portugal, Eva and her little brother Johnny find two strange clots of clay on a polluted beach, who can speak and move on their own. They create two octopuses out of the blue and green material and take them home to Prague, soon discovering that their new pets attract electricity and other disasters.

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A story of a little girl Verka and her life during the beginning of WWII. Based on Vera Sládková novels.

Julie is a woman who seemingly has everything. A handsome husband, teenage daughter and a thriving, undemanding job as a translator and now even a new dream house ... But she also has a secret that is slowly changing her idyllic life...

Jealous of her vapidly "good" sister's popularity, poisonous Viktoria doses pretty Klara's tea with a slow-acting fatal substance. As the latter grows hysterically weak, the former finds success increasingly compromised by guilt, blackmail, and the pesky need to kill others lest she be exposed.

When Oskar, a self-centred TV weatherman, cheats on his wife Zuzana with their au pair, she kicks him to the curb and enlists her in-laws in the search for a new boyfriend.

The day’s work never ends for a guard worth his salt, even when the gallery closes at seven. And Vašek is a perfect example, at least until he meets Ginger – a femme fatale who has her own plans where he’s concerned. Love turns this nice lad into a thief: armed with a false moustache, sunglasses and a stolen painting, he gets on a train and it remains to be seen whether or not his journey to Rome is paved with good intentions. The train compartment is full of passengers keen to impart their life stories – to him or to anyone who’ll listen. The withdrawn young man pays close attention to it all, even though he has plenty to worry about as it is. The police and a bunch of crooks are hot on his heels and it’s difficult trying to give them the slip with a hefty painting in tow.

A group of people are imprisoned in a rail car bound from Berlin to a concentration camp in 1945.

College student Marta decides to seal her relationship with Zdeněk with a secret wedding. All that remains is to announce this fact to both parents. The bride's parents are a very interesting couple - the strict mother, a teacher, is a big stickler for order, the father, whom the tender half affectionately calls "daddy", doesn't bother with anything and spends his time composing poems. The groom's parents are currently most concerned with how to get their daughter Marcela married in the most favorable way possible, whose idol in life is the singer Jiří Korn.

The actress, who is starring in a successful theatre production, is offered a big film role by an Italian director. She decides to leave her current certainties behind and throw herself into the whirlwind of a tempting opportunity, only she doesn't count on the fact that not every expectation will actually come true as she had ideally hoped...

Lemuel Gulliver has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.

Czechoslovak comedy film directed by Ladislav Smoljak, about the fictional national hero Jára Cimrman (universal genius, inventor, sportsman, criminalist, poet, writer and philosopher).

Unlike any other opera, the so-called Beggar's Opera is not just one composition, but a lineage of adapted compositions, beginning with the original hugely successful 1728 political satire written by Englishman John Gay. Composers and writers have penned variations on it ever since. The most famous of these was A Threepenny Opera by Bertholt Brecht and Kurt Weill. Some things these compositions share in common is their setting among the poor and criminal classes, and the roguish character Macheath. This production is based on an adaptation of Gay's original by Vaclav Havel the freedom-fighter, writer and philosopher who became the first (and only) president of the united post-communist country of Czechoslovakia, and it retains many traces of its theatrical origins. Film reviewers were not too tolerant of what they called "slavish adherence" to the noted Czech writer's stage production, but theater, philosophy and history buffs may feel otherwise.

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The film about curious children who discover a sunken statue of Masaryk in a disused well was interfered with by the events of November and the filmmakers tried to incorporate their echoes into the flow of the narrative. However, the result is at times confusing, as the originally childish adventure has thus grown into a naive social poster child.