Isabel Aimé González Sola

French adaptations of the stories by Agatha Christie.

1787, France. While investigating a series of mysterious murders, Joseph Guillotin - the future inventor of the world famous ‘Guillotine’ - uncovers an unknown virus: the Blue Blood. The disease quickly spreads amongst the French aristocracy, driving them to murder ordinary people and soon leads to a rebellion.

Misanthropic novelist François writes gripping crime stories – “Agatha Christie meets The Scarlet Pimpernel” – but outside of the swashbuckling imaginary world of his Marquis la Rose-novels, life is far from thrilling. His partner Colette, a professor at the Sorbonne and world-renowned expert on Alfred Hitchcock, is tired of watching François sit around their apartment in his pyjamas and yearns for the excitement of the classic films she watches with her students. When Colette begins to suspect their flamboyant actor neighbour of murdering his wife, the couple’s mundane lives are turned upside down – and their stale relationship is jolted back to life.

At the height of her career, Lina, a 34-year-old Argentine stylist, is driven by a sudden impulse after an award ceremony in Switzerland. Back in Buenos Aires, she says nothing, but something in her has shifted – quiet and invisible, it subtly unravels a past she thought she had left behind.

Tridan Lagache has spent his whole life at Club Med, changing friends every 8 days. At 50, he resigns from the vacation spot where he was born, determined to track down his great mini-club childhood love, Violette. He shows up in Paris, naïve and lost but glad to be lodged by Louis, a half-brother he never knew he had. In order to be rid of the cumbersome Tridan, Louis passes one of his fling off as Violette, and Tridan, all emotional, thinks he recognizes her at first glance.

A mother of two gathers her loved ones to celebrate her birthday in her big house near the Loire Valley. The festivities are disrupted by the arrival of her daughter, who is known for her unpredictable outbursts.

Amelia has just bought an old house with Arthur, her partner. As she begins to imagine her life in this space, thousands of miles away from her Chilean roots, Amelia loses her bearings and slips into an existential vertigo.