Vladimir Chekasin

The story of street children and the dog who penetrate into the fast food restaurants at night and catching terrorists in spare time.

A group of youngsters get familiar with "causality effect paradigm" for the first time in their lives and find it not so pleasant.

Ivan is old Russia: thick, dour, hard-working, often brutish; he misses Communism. He drives a taxi and one night meets Alexi, a new Russian, a musician, an alcoholic, irresponsible. Alexi stiffs Ivan for the fare, so Ivan tracks him down and a love-hate relationship ensues. When Alexi lets the bath water run over in Ivan's flat and Ivan must pay 500 rubles for repairs, he tries to force Alexi into day labor to repay him. It's hopeless. Then, suddenly, Alexi is discovered, goes on a jazz tour of America, becomes a celebrity, and returns in triumph. Ivan longs to renew the friendship, and it looks as if he may get what he wants.

The beautiful Tanya returns to her small mining town, after supposedly working as a model in Moscow. She decides to marry her shy school sweetheart Mishka, who now works in the mine. The miners finally receive some pay, but Mishka still ends up with no money to buy his bride a gift, so he seeks the help of his perpetually drunk buddy Garkusha. Mishka's poor working-class family all help to put on a fine wedding with copious amounts of vodka, even though they are suspicious of Tanya's occupation in Moscow, and of her connection with her Mafia ex-boyfriend Borodin.

In an ordinary industrial Soviet town, notable only for presence of a radio-telescope, people start behaving strangely, in a robotic manner, while assuming geometry-inspired aliases and organizing into a new hierarchy. The phenomenon spreads via a device of alien origin, called “the mediator”, capable of implanting extraterrestrial minds into human bodies. The aliens are bound by limitations of the terrestrial technology, having to use the means at the disposal of humans to prepare the grounds for the full-scale invasion. With “the mediator" being unable to subdue minds of children, lunatics, geniuses, and rebels, a struggle over the fate of the town and the human civilization ensues.

No description available.

Animators from the distant future fly to another planet to celebrate the 100th anniversary of Soviet animation. Once in a meteor shower, the spaceship makes an emergency landing on an unknown planet, where live monsters with the ability to transform. Unknown formless creatures attack the ship and take away all things from there, along with films on which were recorded cartoons for display. While watching the collection of the best Soviet cartoons, monsters, being very impressed by what they saw, turn into cartoon characters, after which they decide to make peace with people and help them get everything back in place.

Eccentric post-apocalyptic take on gangster cinema.

An unemployed American gets a job in a shooting gallery as a live target. The greedy capitalist owner charges patrons double for the chance to shoot at a human being.

The film is based on the concert of "Pop Mechanics" under the direction of Sergey Kuryokhin.

In 1973, Leonid Samuilovich flees the USSR and lands a job at the BBC in London. Five years later, radio host Alexei Leonidov starts releasing clandestine recordings smuggled from totalitarian countries via intricate cloak-and-dagger operations. Today, 86-year-old music producer Leo Feigin sits on top of over 30.000 LPs, contemplating on the meaning of his work amidst the grim outlook of new Iron Curtains. Leo Records is a symbol of musical resistance against authoritarian regimes and a pioneer of what we now know as avant-garde.

The documentary concert consists of performances by Soviet pop performers such as Anne Veski, Alexander Gradsky, Nani Bregvadze, and others.

A jazz concert film featuring Moscow and Baltic musicians: Goloschekin's ensemble, the 'Melodiya' ensemble, Boris Frumkin, the 'Modo' ensemble, and Vyacheslav Ganelin's trio.