Hatem Berrabeh

Summer of 1967. La Goulette, a touristic beach of Tunisia, is the site where three seventeen-year-old girls live: Gigi, Sicilian and Catholic; Meriem, Tunisian and Muslim; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.

The events revolve around a family consisting of 5 brothers (3 boys and two girls) and their old mother is bedridden. Each of them has his own problems and the older brother and older sister take care of the younger siblings and try to keep them away from everything that could harm them despite of their stubbornness.

The Dance of the Wind (Arabic: رقصة الريح) is an Algerian-Tunisian film and the fourth feature film by Taïeb Louhichi. Shot digitally, it differs from his previous films in its emphasis on meditation rather than vast outdoor landscapes. While scouting locations for his film in southern Tunisia, director Youssef meets the gaze of a stunning Berber woman who orders him not to film her. This marks the beginning of a wandering journey that leads him to his downfall in the vast desert, prey by day to mirages, by night to his anxieties, childhood memories, his first cinematic experiences, and the fear of seeing his film fail because he has let his mind wander. His car is his only anchor and his means of resistance, thanks to the contents of its trunk where he keeps scripts, photos, and means of subsistence.

Maliha, a dreamy girl, in her last year of university navigates school, life and love as she discovers the many faces of people around her.

The death of a prince brings a young woman back to the palace where she was born into servitude. The lingering legacy is brought into light from behind frosted windows and velvet curtains.

A building guard in one of the neighborhoods of the capital Tunis recalls memories of his youth and the political events that led him to commit acts he regrets in his old age, and his fears of repeating them in light of the events that befell Tunisia after the revolution.