Yao Teng-Yuan

In 2013, the Golden Horse Film Festival celebrated its 50th anniversary. The ministry of Culture commissioned director Yang Li-chou to make a documentary about the history of Golden Horse. What is unique to this film is that it's not an ode to celebrities but about the role cinema plays in ordinary people's lives. It's a love letter to cinema, filmmakers and audiences.

At the age of thirty, Lin got tired of the secure and yet repetitive life within the system. Therefore, she decided to leave her comfort zone and went to Nepal, firmly believing that what she wanted was to establish long-term collaboration with a local group in some place. Lin’s sensitivity and thoughtfulness led her to discover the difficulties and mistreatment brought upon the Nepalese women by menstruation, the local environment and the culture. As a result, Lin aimed to make changes by promoting cloth menstrual pads, the menstrual education and the environmental protection. She set up a workshop and hired the women in the village to produce cloth menstrual pads. By doing so, Lin has provided the local women with work and established a social enterprise of cloth menstrual pads.

The film crew is confused and unsure what to do. The director and the producer thus begin a game of power and manipulation in order to complete the film.