Directing
Arisa is fascinated by humans. So much so that she leaves the magic world. But the broom she uses is faulty and she winds up in Japan. There she meets Joji Matsui who works at an advertising agency. Joji has been assigned by his boss Ichio Suzuki the difficult task of winning over Shiori Nomo who is in charge of corporate communications at a client. However a little word from Arisa helps Joji win over Shiori and his agency gets the opportunity to pitch. Arisa and Joji fall in love and marry. Arisa swears never to use magic again as she and Joji begin their strange witch/human married life.
Three tales raise unsettling questions about the central qualities of being human. In one, a father is torn between love for his son and the desire for revenge, while a second examines the twisted love of a teacher for his female colleague. The third story delves into the complex affections hidden within a bully.
He didn’t even like children, yet without warning, the handsome, single newscaster finds himself playing the role of father to three impertinent daughters. His entire image of the roles of the sexes gets turned upside down as he makes the transition from a swinger into a caring parent.
Shinagawa Daichi used to be a good student who has now become a delinquent, while class president Adachi Hana was a delinquent who is now trying to move on. Her secret is discovered by Shinagawa, but she involves herself trying to correct his ways.
At 55, Kan-ichi Kanzaki is the old-fashioned and overbearing father of the Kanzaki family: his wife Miyako, his son Tadashi, and his two daughters Sayuri and Suzu. Being an “oyaji,” a stubborn middle-aged man that cannot keep his opinion to himself, Kan-ichi is particularly bothered when he views what he believes to be a failure in the public’s morals. But unlike the occasional stranger, his kids have to live under his scrutiny every day, and there are plenty of family crises to draw his ire. Although he can be strict, his actions are driven by his love for his family, and one can’t help but be touched and amused by the loving efforts of such an “oyaji.”
Shin'ichi Sakurai is married to Kanako and they have a daughter named Kaori. Both, Shinichi and Kanako received only a middle-school-level education. Even though they don't have much money, they are a happy family. At work, though, Shin'ichi experiences effects of only having a middle school education. One day, Shin'ichi sees Kaori’s poor score for a national test. He freaks out and decides to improve Kaori's education. Thus, 41-year-old Shin'ichi begins studying with Kaori and instructs her for the upcoming middle school entrance exam.
Patients are brought in one after the other. Being put in an environment where there is a race against time to save lives, all they can do is stand there doing nothing. Though they still have a lot to grow as a doctor and as individuals, will they be able to overcome adversity and one day be able to proudly identify themselves as being a doctor?
The drama is about a cold-hearted corporate warrior who is involved in a car accident, and how he and the woman who loves him so earnestly struggle with the aftermath of the accident and regain the love in their twisted hearts.
Yumi, a 23-year-old office worker, is fired from her job out of the blue. A few days later, coming from a friend's wedding and having no time to change out of her kimono, she is rushing to an interview for a job at a publishing company. Yumi stumbles into the room, looking for somewhere to change out of her kimono, and finds popular comic book writer Reijiro Sakurai is having an editorial meeting with some staff. He is planning to lock himself away at a hot spring for the next three months to concentrate on his next project. Sakurai comments that if Yumi were to join him he wouldn't mind being away for so long..., and so their adventure begins.
This entertaining drama follows the fun-filled adventures of three prep-school students. Struggling with studies has become a thing of the past for these three young men, and they are ready to make the best of their free time in a world where they are no longer looked down on as fools.
Tamon is a young white-collar worker who has spent his entire young career as an athlete, and is accustomed to an all male environment. After retiring from sports, he enters a firm, only to be assigned to the personnel department. Upon arriving, he finds that he is to be trained by the strong-willed Kyoko, and that he is to work on a project to help raise the status of women and awareness of sexual harassment in the workplace, putting him in completely new territory. While gradually coming to terms with his job, he finds himself slowly falling for Kyoko, and being the only one aware of her well guarded secret.
Kinoshita Kaori (Nakayama Miho), a native of Nagano, was allowed to live alone in Tokyo for two years during her junior college years. Now, with employment still unsettled, her parents are pressuring her to return to Nagano. Her friend Noriko (Sendo Atsuko) had good grades in junior college and had received a job offer from a major company, but the offer was rescinded due to her living alone. Meanwhile, Tomoko (Kawai Michiko), who dreams of becoming a reporter while job hunting, is also struggling to balance her dreams and reality. One day, Kaori visits a small company with her resume in hand, where she meets the company president, Yoshizawa (Oda Yuji). Yoshizawa accepts Kaori without even a proper interview, and despite her misgivings about the company, she soon finds herself drawn to Yoshizawa.
A junior high school teacher marries a much younger woman despite his teenaged daughter’s disapproval. Her step-mother is now the sex idol for many of the boys in her school.
The Hayashidas were a typical happy family of father, mother, two boys and two girls. Until it all changed suddenly with the untimely death of the father, Shinpei. While still mourning his passing, the children are hit by another bit of shocking news from their mother “Truth is… I'm pregnant.” The news of their mother's pregnancy at 51 sets into motion a new series of challenges for the four children, particularly for the eldest sister, Manami, who now becomes the family patriarch, forced to struggle with the pressures and responsibilities of “child rearing” and “family ties”, not to mention greater philosophical questions about the meaning of life. A moving, life-sized human drama..
A new season of the acclaimed series finishes with these twenty sensational shorts capturing the essence of psychological terror with chilling visuals.
College freshman Ryohei joins a new university, forms a tennis-club circle, and navigates love and friendship as the group confronts ambition and darker secrets beneath their glow.
The Special is loosely inspired by horror classics of the time, such as "Carry" and "Fury." The story is about a little girl who has nightmares and a series of murders in the area, which in a strange way, are related to them.
Looking for a job, Hana gets work at the Andrews Department Store, but her boss hates her and gives her impossible work to do. Her bubbly nature and creativity soon bring success to every job she is assigned though, and the president even wonders if her mysterious charm can rally the company and pull them out of their financial difficulties. But the President and Ryou, his straight-laced son, have different ideas about running the company. Perhaps if she finds true love for Ryou, she can soften his hard heart. Anything seems possible with Hana's never-ending optimism, which is the basis for this heart-warming and humorous story of the power of positivity!
Aimi and her father move into an old, apartment building and learn quickly that things are not normal here. The landlord warns Aimi and her father of the curfew. First, all residents must cross the rope in front of the property by midnight. Second, no one can move out until a new tenant arrives. Those brave enough to break the rules are unmercifully killed by a mysterious force.
8 short stories comprise this anthology movie, based on the Tales of Terror TV series. The segments are, in order: The Night Watchman (directed by Akio Yoshida), Wisps of Smoke (Kosuke Suzuki), Gloves (Hirohisa Sasaki), The Weight (Kosuke Suzuki), Full-Length Mirror (Ryuta Miyake), Line of Sight (Keisuke Toyoshima), The Promise (Keita Amemiya) and Hisao (Shun'ichi Hirano).
