Heinrich Breloer

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The Bambi, often called the Bambi Award and stylised as BAMBI, is a German award presented annually by Hubert Burda Media to recognize excellence in international media and television to personalities in the media, arts, culture, sports, and other fields "with vision and creativity who affected and inspired the German public that year", both domestic and foreign. First held in 1948, it is the oldest media award in Germany. The trophy is named after Felix Salten's book Bambi, A Life in the Woods and its statuettes are in the shape of the novel's titular fawn character. They were originally made of porcelain until 1958, when the organizers switched to using gold, with the casting done by the art casting workshop of Ernst Strassacker in Süßen.

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Annual awarding of the Grimme Awards.

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East Berlin, 1956. Bertolt Brecht, revolutionary of the theater and poet of the state, looks back: his exploits as a teenager during the World War I; his romantic adventures during the twenties; the escape of the Nazi regime; the return from exile. The life of a timeless classic, a class fighter, an indefatigable free spirit, a committed artist.

A reassessment of the role Albert Speer played in the Third Reich. Speer, who was ultimately convicted at the Nuremburg trials and served a 20-year prison sentence, was known for designing many of the Third Reich's buildings and for being Hitler's minister for war production.

Docudrama in two parts, based on the abduction of the president of the employer's association of Germany, Hanns Martin Schleyer, by the Baader-Meinhof gang in the Autumn of '77.

Mid-19th-century, Baltic Sea port city of Lubeck, Germany. Follows the fourth generation of the Buddenbrook mercantile family as Tony and Thomas reach the age of marriage. Fatefully impeded every step of the way, the Buddenbrooks struggle as economic hardship and personal defeats weigh down family relations.

Much has been said and written about the Mann family. However, there has never been a film that brings this remarkable family to life in such a playful way. Through the docudrama format developed by Heinrich Breloer, we become direct witnesses to moving stories that no one has heard before. Stories of passion, love, and hate, of war and emigration, of tragic intertwining of personal and world historical events. The Mann family shows itself as it has never been seen before. They all appear: the brothers Thomas and Heinrich with their lifelong sibling rivalry, the extroverted siblings Erika and Klaus, the quiet Golo, and also the only child of Thomas Mann still alive today: Elisabeth.

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In the hybrid form of documentary and dramatized scenes, the Barschel affair, one of the major domestic political scandals of the 1980s, is reconstructed. While the documentary scenes are reminiscent of the familiar television images of the scandal, the fictional scenes suggest to the viewer what might have happened when the cameras and microphones were turned off.

Documentary continuing Breloer's exploration of Speer's life, focusing on the post-Spandau years.

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