Directing
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In the remotest corner of southern Taiwan, the sinking fisherman´s village prepares for another carnival for the god. Sheng, a man reaching his 30s, returns in disguise as an established urban elite. As the carnival escalates, Sheng confronts his persistent father who farms oysters throughout his life and the childhood buddy who always envies his fragile “successfulness.”
When Mom comes home with a newborn baby, a relative brings over a "live chicken" to make soup for Mom during her postpartum confinement. Little Monkey wants to help, so she asks Grandpa to secretly turn the clucking chicken into chicken soup. Should the chicken be killed or not?
Four years ago, an accident chasing the swordfish took away the life of Captain Fu’s elder son. It was the last time the giant swordfish was seen. With no fish to catch, his other son Yee thinks about transforming the business. At the moment when their boat Victory is about to be abandoned, Fu meets a foreign boy Ruan who tells that the fish is still out there. Can’t resist the temptation, Captain Fu brings Yee and Ruan embarking on the journey to search for the giant swordfish. In their journey, Ruan encounters migrant workers, which triggers his memory as a wartime refugee. He recalls his dead mother’s words: “Never trust the people on the shore”. The obsessions that bring men to the sea eventually become their doom. Only one of them shall return.
Mark is a director working in Taipei City who recently lost an important client. Reluctant to go back to his hometown Kaohsiung, an industrial town with severe pollution and no directing job, he decides to earn some quick money by making porn with his friend, Bugsy. However, while they are shooting the sex scenes on the rooftop, the worst smog arrives at the city and devours everything, including Mark’s last hope to stay in Taipei.
