David Nugent

Baltimore deals with the cinematization of video art, on the one hand, and a queering and racing of the museum, on the other. The film installation works as an intervention that attempts to address the creolising vision in the space of the gallery.

Prey for Me sets a ruthless mercenary against a defenceless human target. As their confrontation intensifies to a climactic conclusion, dark secrets from their pasts emerge, and the line between good and evil becomes indistinct.