Lance Loud

Mary Ann Singleton, a naïve young secretary from the mid-west, tumbles head first into the colorful world of San Francisco, where carefree chaos revolves around the funky old apartment house at 28 Barbary Lane.

Originally intended as a chronicle of the daily life of the Louds, a Santa Barbara upper-middle-class family, the groundbreaking program documented the breakup of the family via the separation and subsequent divorce of parents Bill and Pat Loud.

An off beat comedy about an out of work screen writing/artist that complains about being too cool, too talented and way too gay.

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

Eldest son Lance, of the Loud family profiled on PBS in 1973, became the first openly gay man on television and a gay icon for his generation. When Lance entered hospice in 2001 with a terminal HIV and hepatitis C co-infection, he asked original filmmakers Susan and Alan Raymond to film a final episode of the series. Lance reflects upon his days with Andy Warhol, his band The Mumps, a career as a writer and the experience of being the first reality TV star. It is a celebration of life and a cautionary tale.

Based on the true story of four Nazi saboteurs who infiltrated the US in 1942 and were quickly caught and executed, this 80-minute ode to America's irresistibly corruptive allure was the only underground feature by writer-director Anders Grafstrom. A Swedish art director who relocated to NYC, he created this grandiose No-Wave, Super-8 color-epic at the age of 23, only to die in a Mexican car accident a few months after completing the film.

A ten-year update on the Loud family and their reflections on becoming the first reality TV stars. Their experience of becoming media celebrities and the parents' subsequent divorce changed them in many ways. Each family member explains how they were affected by these dramatic life events.

An adaptation of Tennessee Williams’ novel “The Roman Spring of Mrs. Stone“. The film follows the story of a woman who, after her husband’s death, becomes entangled in a decadent and sordid affair in Rome.

Nares mocks up Ancient Rome by shooting in faux-classical sites including Tribeca's American Thread Building, where a decrepit penthouse loft with a peeling-paint dome serves as an echoey stand-in for the imperial palace. The latter location required ingenuity: Posing as potential renters, Nares and associates asked the manager to show them the apartment, then unlocked the windows on the way out; a few hours later, they broke back into the space, full cast and crew in tow, to shoot the necessary scenes.