Folco Quilici

After witnessing the killing of his mate and offspring at the hands of a reckless Irish captain, a vengeful killer whale rampages through the fisherman's Newfoundland harbor. Under pressure from the villagers, the captain, a female marine biologist, and an Indigenous tribalist venture after the great beast, who will meet them on its own turf.

The master Impallato takes care of the boys in a suburban after-school. Here he discovers a pupil with an extraordinary baritone voice.

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Four buddies set out on a three-week deep-sea fishing holiday in the Amazon and run into trouble.

Filmed in French Polynesia with a Hawaiian cast, the story revolves around the adventures and romances of a young Polynesian boy as he grows up. As a child he raises and trains a baby shark as a pet, which he shares with his island playmate Diana. After a decade the three are reunited, but the world has changed: Tiko and Diana have become adults; the shark has become a dangerous man-eater; and civilization has encroached on the tropical island.

A young boy travels by himself to reach his sick mother.

This 95-minute, full-color documentary was released in the U.S. as Sixth Continent. That continent is Africa -- or, more specifically, the coast of Ethiopia. Director Folco Quillici takes his cameras deep, deep into the waters near the coastal islands of Dalach, observing the passing parade of sea life on an up-close-and-personal basis. Particularly thrilling is a shark attack and its aftermath, with the cinematographers obviously in the thick of things. Gian Caspare Napolitano provides the narration, while the lush, evocative musical score is the handiwork of Roberto Nicolosi.

The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.

A 1955 Italian independent film, released in the USA in 1956, which is basically a travelogue telling four stories, each about a different island in the South Pacific. Native customs, tribal rites,ceremonial procedure, courtships, and feats of strength and courage are depicted. The test of courage, for males, on one island , is a leap from a high wooden tower to the ground with a thin vine wrapped around their ankle breaking the fall at the last minute. The first bungee-jumpers?

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In the First World War, alongside the men fought an army of animals. Mules, oxen, dogs, horses, pigs, pigeons were used for moving units and materials, communications, and for the support of the troops. The forced cohabitation with men closer to each other in a possible fate of death and suffering: officers and enlisted men had the opportunity to give and receive affection, but also to deal with beings weak and completely dependent on their . Animals in the Great War offers an unconventional story of dramatic conflict, through letters, diaries and photographs taken by the fighters, and collected in the book that Lucio Fabi has derived from his research, The good soldier mule (ed. MURSIA). A documentary rebuild memories, stories, episodes of real life relationship, in and out of the trench, between humans and animals, including incredible moments of absolute serenity and tenderness, alternating the background of one of the most tragic periods in modern history.

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An investigative film about characters who reject an existence in the world of consumerism and frenzied urbanization, seeking a new relationship with "different" communities and nature.

The odyssey of a Tuamutu fisherman who sets out from his atoll-only coral island to procure fertile land in the "distant" archipelagos. Lost in the vast South Pacific, he finds the atoll from which he had departed now doomed from atomic experiments.

A team of doctors sets out through a steamy African jungle to check an outbreak of sleeping sickness.

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No description available.

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No description available.