Ferruccio De Ceresa

An epic crime saga of power, money, violence and corruption. The mafia controls everything through local and international networks like an octopus, and anyone who tries to bring them down pays the ultimate price.

A story about the devil's influence on five people's lives in 20th-century Venice.

A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to isolate the germ of madness. He is also a very active ladies'man and makes three women benefit from his sexual itch: Francesca the hospital manager's wife, Bianca, his devoted nurse and Carla, a nymphomaniac doctor's wife. His well-ordered universe starts being challenged with the coming of Anna, a trainee psychiatrist, who disapproves of his theory on the origin of madness. Worse, she resists his advances. As Bonaccorsi is more insecure than he looks, what will become of him?

Niccolò Vivaldi is a cello player and he plays in Arena di Verona Orchestra. But he is not the first and neither the second cello. He is frustrated. Nobody can remember his face, nor his name. Niccolò is married to Costanza, who is really beautiful and he takes some pictures of her naked. Later he shows the pictures to a friend and so he feels better. He starts to write a comic opera called "Il merlo maschio" only to discover later he had written Rossini's "La gazza ladra". To maintain his self-esteem he can only show his wife...

Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.

A businessman is nicknamed "L'avvocato" and his driver, Oscar, is a yes-man. When L'avvocato has a crash while driving his car, Oscar is put in jail in his place. When Oscar gets out, he finds himself married to the beautiful Maria, but he can't even touch her: she is l'avvocato's lover. Afterwards Oscar is appointed manager, but he can't manage a dime. At the end he shall find himself again in jail, hoping that his "sissignore" (yessir) will let him have, sometime, a driver to send to prison in his place. —

Arrested on suspicion of a hit and run, a succesful architect is put in prison awaiting trial or release. Whilst there he witnesses the grim reality of life behind bars: corrupt staff, corrupt inmates, an inhuman judicial system and the power of the Mafia.

Giacinto Rossi, a poor driver up to his neck in debt, is imprisoned for simulated crime. He finds himself in a cell with Tagliabue, an unscrupulous murderer; Sorcio, an elderly thief; and Papaleo, an honor-obsessed intellectual who murdered his fiancée's lover. Giacinto is forced by the three men to make a daring escape from prison.

Taking place almost entirely during a murder trial, the film details in significant detail the deep roots sunk by organised crime into the business and political life of Sicily.

Whitaker Selby, Lester Kato, and Etienne Devereaux, three eccentric gunmen, discover they are brothers. Their father left them all a mine located in Laredo, Texas. But they discover that Julius Caesar Fuller, the town's greedy landowner (who fancies himself Caesar) has taken control of their mine. They band together to fight Caesar and his black clad gunmen to repossess their mine and avenge their father.

Sei personaggi in cerca d'autore is an Italian staged filmmaking of the play of the same name, written by Luigi Pirandello about the relationship between authors, their characters and theater practitioners. The story follows six characters: Il Padre (Romolo Valli), la Figliastra (Rossella Falk), la Madre (Elsa Albani), Il Figlio (Piero Sammataro), la bambina (Patrizia Ponzelli) and Il giovinello(Paolo Figna) that invading a essay by a theater company looking for an author.

In this painful melodrama, an aging mother (Claudia Cardinale) attempts to cope with the progressive deterioration of her grown son due to his drug addiction. At first only manipulative, in addition to stealing from her he eventually becomes abusive and violent, and she must take strong measures if she is to save her own life, much less his.

The film combines actual footage of Communist leader Palmiero Togliatti's funeral with the intermingled stories of four people affected by his death: Ettore, a Venezuelan radical who abandons the wealthy Italian woman he loves to go back to his country and help his cause; Ludovico, an ailing filmmaker who finds out that art alone is not enough; Giulia, a woman who embarks upon a lesbian affair with a former mistress of her husband; and Ermanno, a philosophy graduate who breaks up with his past.

Study of a man whose basic sense of inferiority leads him from worse to worse.

Set between the late 19th and early 20th centuries, Zeno Cosini, a wealthy Trieste merchant, neurotic and smoker, is marked by a conflictual relationship with his father and a chronic sense of inadequacy that drives him to seek help from psychoanalyst Dr. S.

After many years in prison, Luca Sabatini returns to his home village in Abruzzo in 1946. At the same time, party official Andrea Cipriani, who had to leave Italy during the war but is now welcomed back as a hero, also arrives. Andrea is the son of Luca's best friend. Luca's conviction was the first traumatic experience of his life. He is therefore determined to solve the mystery of why Luca did not defend himself at all during his trial, despite his innocence.

A classical pianist falls in love with a friend's young daughter.

A RAI miniseries, based on the autobiographical novel of the same name completed by Silvio Pellico in 1843.

The sons of Medea are an Italian "teledramma", broadcast live on 9 June 1959 on the National Program. It became a sensational media event because many viewers, not realizing it was a fiction, perceived the event as real

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