Directing
Toxoplasma Gondii lives and works inside a human body.
A cyber goth in her thirties makes dance videos at home, seeking freedom and the truth in a society obsessed with productivity and success. Her mode of living is persistently challenged by an older brother, whose caring and love come with a strive to transform her sister. The sibling drama takes a new turn upon the goth's encounter with a dance prodigy whose brilliance seems to leave everyone else in darkness. The film draws from the thoughts of the philosopher and activist Simone Weil (1909-1943), medievalism and cyberculture amongst other influences, viewing work, art and dance as war.
Sacre 2: HEX is the second part of The Sacre Trilogy by Anni Puolakka and Jaakko Pallasvuo. The solemn cybergoth dance enthusiast introduced in the first part of the trilogy (Sacre, 2015) has graduated into a smug Wiccan vlogger. Her formerly know-it-all brother has fallen on hard times and now needs her help. Family relations entangle with work anxiety. Virtual and material survival tactics get tested. Spiritual, financial and social layers mesh in money-burning rituals. A damaged sibling dynamic is further destabilized by a seductive alien.
The parts are Sacre (2015), Sacre 2: HEX (2017) and Sacr3: Eternal Return (2019). The video works are following an anonymous protagonist searching for freedom and meaningfulness.
A video essay by Anni Puolakka and Alexander Iezzi, connecting monsterhood, post-fossil transgression and forms of refusal in the lives and practices of artists.
Looking back at footage of Venice Biennale 2011, The Artist remembers the optimistic feelings felt at the time, the projected careers, the romantic setting and how art meant something. The Finnish pavilion was closed when the footage was shot because of a fallen tree. Was it a sign? The sinking city echoes The Artist's current sense of resignation. The piece shifts from video footage into cartoons with speech bubbles, perhaps in an effort to reclaim the voiceover from a romanticising of ennui that seemed to be setting in. Is this a new beginning? Liberated from its ambitions for an illustrious career, art has now become a more metaphysical means of survival.
The video focuses on nipples as interfaces, milk as a political fluid, and mouths that sing and suckle other beings for nutrition and intimacy.
I have lost everything again. Again, I have nothing to lose. An unnamed woman breaks up with her extraterrestrial lover and runs away to Italy in search of new meaning. Seasons change while she repeats old familial conflicts, makes experimental video art and is haunted by the idea of eternal return. Will our lives recur in the same form infinitely, with no escape? Sacr3: Eternal Return is the final part in the Sacre trilogy by Anni Puolakka and Jaakko Pallasvuo.
"Vanity of vanities, says the Preacher, vanity of vanities! All is vanity." (Eccl. 1:2; 12:8) ‘Vanitas’ portrays four, unemployed characters in the future: a singer, a what-naut, a gamer and an office building. Revolving around the characters’ observations, it wonders about the transient and often meaningless seeming nature of human activity.
