Pavla Michálková

Johann Faust comes back to life. After centuries spent in darkness he unleashes a night of terror in Prague, with vampires, zombies and mutants. This time, Faust has a new obsession - to get even with his past life and his family. There is also the devil Mephistopheles, who controls everything like a puppeteer from afar. The film based on Goethe's iconic work and unpublished, short stories by F. Kotleta and K. Sněgoňová presenting bloody coctail of horror and fantasy.

Charming 60-something José returns to Prague after 30 years living in Mexico, though he was convinced that he would never see his hometown again. He was persuaded by his deeply religious Mexican wife Dolores, who is convinced that only a miracle that might be fulfilled by Prague’s famous Infant Jesus can help their daughter Penelopé get pregnant. And the ideal time for this is Christmas. And when Ruda, his friend from Prague, also insists, José agrees to return to the places he used to know and to the memories that they bring back – including his former Prague love. And it becomes evident that the Infant Jesus is not the only one capable of making miracles come true in Prague. Penelopé’s longed-for conception is definitely not the only one…

Let's venture into the dark forests, where a father and his son Petr are wandering. They are returning from the city, where they earn extra money by playing music. This time, however, they cannot find their way home. Their only salvation is a light that appears in the distance. It leads them to a strange castle that has never stood there before. They have no idea that it is inhabited by a sorcerer who will intervene in Petr's life. In the years to come, Petr will serve the sorcerer, learn the value of friendship, and discover the love of a beautiful princess. However, in order to win her, he must free himself from the sorcerer's power...

By some quirk of fate, the two small-time thieves and the spoiled princess find themselves in the Black Forest full of magic beings who believe that everyone has a chance to mend his ways. However, sometimes even the best intentions need to take a pretty long way round to be achieved... Funny fairy tale full of action, excitement, fun, magic but also love.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).

A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.

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Jan Nemec, a leading filmmaker of the Czech New Wave, creates an original portrait of one of the most provocative artists of the 20th century: Toyen (Marie Cerminova). As a female artist, Toyen broke through the male-dominated art world to create paintings and drawings often erotic in nature. She co-founded the surrealist movement in her native Prague, survived the Nazis and the Communists, maintained artistic and personal relationships with artists Jindrich Heisler (whom she hid during WWII) and Jindrich Styrsky.

Helena, a free-spirited single café owner, takes her eight-year-old son Mikuláš to the mountains for a quiet Advent stay but, through a mix-up, ends up at a remote high-altitude lodge run by adventure guide Richard, his spirited daughter Zuzka, and his sociable brother Mišo. Unbeknownst to Helena, her parents also arrive, insisting the family spend Christmas together. Amid snowbound isolation, cultural clashes between city visitors and mountain folk, playful rivalries between the children, and unexpected challenges transform her planned retreat.

Řehoř lives a contented life. His wife Evženie does not. After sixty years of marriage, eighty-year-old Evženie comes to her granddaughter, lawyer Katka, to ask for her help in divorcing her eighty-five-year-old husband Řehoř. Katka is shocked by her grandmother's decision and her harshness and intransigence. What must have happened in her grandparents' relationship that even decades have not been able to erase? Katka does not want to break up her beloved family and tries to figure out her grandmother's reasons. She uncovers her own family's dramatic past, but her grandparents' secret remains hidden from her. Her grandmother risks losing her granddaughter and hides the truth from her, not wanting to pass on the burden of her past guilt to the next generation. She tries to come to terms with the past and find peace. And Řehoř? Will Katka protect him?

Guided Missiles is a short animated film created by Erasmus exchange students.