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Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.
In a small village on the edge of the war between the military and the cartels, a little boy escapes to the forest to plead to the gods of nature for his disappeared mother's safe return.
A young man is madly in love with his mother, until he discovers a horrible truth about her sexual behavior.
A psychological drama when something happens and kills the love. The characters undergo a process of unfolding that shows them as they really are and as they appear to be.
Daniel is a young man suffering from low selfesteem, who is incapable of defending himself from the abuses of employers and of society in general. He is medicated with antidepressants to make his monotonous life more bearable; however, far from helping him, the medication worsens hiscondition with hallucinations and psychotic thoughts of vengeance that lead him to a state of total confusion.
Rafael is an elderly peasant who decides to write the story of his life as what he describes like a movie screenplay. The desire to make his film leads him to betray his only friend and leave everything to seek financial support in the capital city. Evilness is the story of a man who embraces loneliness and lack of hope.
Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.
"Me" is a is a teenager in the body of an adult, a simple being of spirit. He lives and works at his mother's restaurant; "Me" loves his mom and he is loved by everyone, especially Elena, her friend of 11 years. "Me" detests Pady, the man who sleeps with his mother. Sometimes, "Me" sees shadows on people and he knows that means they are going to die.
Tracking an old man (with a truly Bela Tarr-like persistence) through the streets and bars, and porn cinemas, and taco-joints, of Mexico City on what might be the pensioner's last day on Earth, Critic/curator-turned-film-director Lipkes has crafted an undeniably challenging but beautifully realised vision of modern loneliness.
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A young man who returns to his hometown after many years of absence, finds his people immersed in poverty and neglect. He decides to fight the forces causing this situation but the task will require his sanity and all he knows about himself.
A lonely man receives an unexpected visit from her daughter Valentina, a Chilean journalist who has been investigating human rights cases.
Genaro, an 11 years old boy, remains completely alone when one of his friends begins a game in order to be able to remove Genaro from the group and protect his dignity and position as a leader.
At the close of a special day, family ties are shown to be fragile before the shared feeling concerning an important abscence when the sensation of absence. Uncle Manuel, a very peculiar man is determined to help his sibling's adolescent children and his brother-in-law, an unemployed union leader. Mom's house has now become a place where the family could vanish due to a world of broken dreams.
Oliverio lives in a building taken over by immigrants from the Mexican countryside who work constantly to provide the basic services lacking in the dwelling.
Rocio, a Maya Mam girl, lives in the mountains with her mother, who is pregnant and her granny. Due to an early delivery from her mother, Rocio is stuck with caring for a herd of sheep, the first time she has done it on her own. Playing in the mountains she loses one of the sheep. Looking for it, she will lose the rest of the herd. In the midst of this tragedy, Rocio will have to face her innocence, conquer her fear of fog and learn that freedom entails responsibility. Nature will teach her that you do not have to defeat your fears, you just have to experience them. The Greatest House in the World is a story of children -which we all are- when facing fears, the unknown, the uncertain... the fog.
In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.
