Luis Solanas

At a summit for Latin American presidents in Chile where the region's geopolitical strategies and alliances are in discussion, Argentine president Hernán Blanco endures political and family drama that will force him to face his own demons.

Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.

During the last days of Eva Peron, a pair of low-ranking detectives are thrust into a case of corruption involving the Mafia.

Short documentary about the passion of Argentine Tango. The self-management of street artists who make a living from this dance and its music. The documentary calls young people to visit and frequent "milongas" and other tango places where this dance culturally identifies us as Argentines.

Fantasies, those states of mind that can be fleeting or eternal, are the central theme of the film. A man in his fifties, remarried to a younger and very beautiful woman, imagines for a long moment—the length of the film—a relationship between his wife and his 20-year-old son. Within the story—and the fantasy—there is a complex network of time periods that makes it impossible to separate reality from imagination.

While working alongside his long-time friend and colleague in building a hospital for the residents of a Buenos Aries shantytown, a troubled priest finds solace in a young, atheist social worker.