Jing Zhao

Instead of telling a newly diagnosed 5-year-old son that he has Leukaemia; Brian tells Arthur that the chemotherapy will give him superpowers. In a battle to keep them both positive, Brian is haunted by his lie as he struggles to find hope

What happens when 300 lesbians from around the world attend the largest United Nations conference? How did two busloads of lesbians headed to an underground nightclub help spark the birth of a lala (LBT) movement in China? At the 1995 Fourth World Conference on Women in Beijing, the first ever lesbian tent at an UN NGO Forum was created. Emerging from hidden shadows of shame and invisibility, Chinese lalas began a hard-fought path of deliverance from themselves, from family, and from an apprehensive environment. In doing so, they sought empowerment and change as they explored concepts and issues from self-affirmation to rights consciousness. The film powerfully moves forward to the present day and shows the drastic change in today’s young feminist lalas – their challenging of sexism and homophobia with daring public street actions on subways – a parallel action to their forerunners in 1995, with much vigor and defiance 20 years later.

A daughter of a cigarette smuggler reevaluates the memories of her father, questioning the childhood myth she built around him and getting to know him anew.

In 2023 China, as the pandemic ends and societal pressures rise, a young piano teacher, suffering abuse from her dictatorial husband, transforms into a fox and begins to haunt the spaces of the living.

Having been supporting her family in China alone for decades, the dry-cleaning shop owner Lily meets a new customer, who liberates her from the lonely and colourless life in this foreign land. As a loyal wife who has been sticking to her family responsibilities, she sows doubt in her belief…

A personal essay film which explores a street in London called The Cut where the director herself lives.

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless Southeast Asian ghost cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.