Directing
A police department, lead by an older, experienced detective solve crimes together.
Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.
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Polizeiinspektion 1 is a German television series.
Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.
Kommissar Freytag is a German television series.
The story of two young lovers takes a tragic turn as the girl falls in love with the boy's father.
The wife of a European photographer on assignment in exotic Bali falls for an enigmatic ex patriot under the spell of a mystical death cult...
Attractive Julia Swinton is a middle-aged woman. Her life went normally and without big occurrences. But through the unexplained death of a familiar young lady in a houseboat and the sudden appearance of a strange stranger, unrest and threat now break into the seemingly so peaceful everyday life of the Swinton family. As it soon turns out, Mr. Swinton has a secret relationship with the lady on the boathouse...
Documentary about Richard Lindner directed in 1977 by Johannes Schaaf
A man returns every year to visit his estranged family and friends in this drama dripping with biting social commentary. His 40-year-old buddies are part of the nouveau riche who consider themselves elite and are content to sandbag it at work. Teutonic sentimentality is lampooned, and the narrow minded are held up to ridicule. Some fine performances outweigh the passages of unintentional humor in this second film from director Ulrich Schamoni.
A married couple of artists move to a utopian town known for its absolute freedom, but behind the surface perversion and violence are spreading.
A well-off couple adopt a 16-year-old boy from an orphanage in West Berlin, but their attempts to help him assimilate into his new surroundings fail. The repressive tolerance of the well-educated adoptive parents is just too much for the mischievous young boy.