Mari Törőcsik

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Ede (Dezso Garas) is in his sixties, and he is full of uncertainty about how he and his wife Kati (Mari Torocsik) will fare in the new post-communist regime in Hungary. At least before, he had some idea what he needed to do to get by, and even if he never made much money with his myriad schemes, they got by. Kati has got a real bug in her ear about their livelihood, and is hounding him to get into the spirit of the new system. This is troubling enough for the old gent, but when he runs into an old mistress (Kati Lazar) and discovers that he has a grown son he has never met or knew about, his life becomes even more confusing. His slimy ex big-shot brother-in-law (Istvan Avar) is a major player in the new entrepeneurial risk-taking, and he beseiges poor Ede with advice as well. In this topical comedy, all these worrisome things, and more, come to a head at a big family celebrtion.

This Hungarian film chronicles the slow deterioration in the life of Juli, a farmer's wife. As the countryside grows ever more deserted because people are moving to towns or large collective farms, she spends more and more time alone. Despite her best efforts to appreciate her situation, her despair grows. The loneliness is briefly interrupted when she and her husband take in an old woman and care for her, but the woman dies. Shortly after her son visits, she is killed in an accident which may have been a suicide. ~ Clarke Fountain, Rovi

Kalán Imre, the district doctor lives in a small village surrounded by mountains. One day he is visited by two young relatives of his and their friend, a doctor at the beginning of his career. The name of the doctor is Király András, and he happens to be the great love of Kalán's young wife from her unmarried years. The orthodox Stalinist Kalán's entire life is filled with his great passion, hunting. The suffocating, narrow lives of the prominent people in the area are slowly revealed to András.

This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.

Barta has been investigating for a year in the murder case of a professor of medicine. Keller, the victim, has been shot dead in his own villa. Barta joins the closest relatives and they all travel to Dunaszentmárton by ship for the inaugural ceremony of his tomb.

During the worldwide Depression of the 1930s, a young shopgirl is in love with a man of her own financial class, but succumbs to the seductive machinations of her wealthy boss.

1866. The Habsburg monarchy fight a war against the Italians and the Prussians. General Klapka, who emigrated to England after the fall of the 1848-49 freedom fight of Hungary, exploits the situation and organises a Hungarian legion with the help of the Prussians, then attacking the Austrians in their back sets out to return to Hungary.

The film depicts the period between 1945-60 through the life of a communist couple. Barna Judit, just released from a concentration camp and Horváth László, with an illegal past are brought together by the communist movement. They study and make plans together in the hope of a future that will make sense. The marriage they just entered, however, gets ruined soon by the events of history.

The film, depicting life in the tenement houses of Angyalföld in the thirties joins the neorealist currents of Hungarian film. Ambrus Pista, the good humoured, attractive tram conductor is loved by women for his excellent job as well. With his lover, the street-walker Terus they spy upon the neighbour as he beats his wife in jealousy.

The fate of a Hungarian Jewish family throughout the 20th century.

A lawyer defends her father accused of war crimes, but there is more to the case than she suspects.

Two stories running in parallel: In one, a model is surrounded by men wanting to use and abuse her though, without realizing it, she is protected by a strange tramp guardian angel. In the other, a blind goldsmith struggles to produce his latest commission in the midst of his alcoholism and depression. Both then descend further and further into their own personal hells until they finally re-find peace with themselves and then their stories briefly merge.

During the freedom fight led by Rákóczi, Schwartzenau carries the wages of the Emperor's soldiers to Tokaj. A small group of freedom-fighters, led by Captain Árvay, attack the major's escort, then hide in the local inn. Árvay introduces himself to the entering Schartzenau as a Hungarian aristocrat, while Simon Pali rushes to get help. The major has a passion for games, they start throwing dice.

Mocorgó, the well-meaning worker boy, is a tough guy. In his 40s he is still a mechanic's apprentice, but he is disappointed by his family, women and friends, and becomes a criminal. He goes to prison several times and tells the story of his life to the writer, who follows his story until 1956, until Mocorgó's death.

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.

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'A Guest of life' is inspired by the journey of Alexander Csoma de Koros. The eccentric 19th century set out from his native Transylvania to central Asia on foot, only taking his knowledge of 13 dead and spoken languages with him. He wanted to find the ancestors of the Hungarians, but once reaching Tibet he stayed there, compiling an English-Tibetan dictionary, translating and abridging Buddhist teachings and literature, including the Book of the Dead. The film however is not a biopic, but a collection of impressions of Tibet, recorded on an 8mm camera, overlaid with excerpts from Csoma's diary and translations, spoken on the many languages familiar to Csoma. Intercut with the documentary-style footage are animated segments, which tell Transylvanian folktales that have been weaved around the legendary figure of Csoma.

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