Acting
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Alfonso de Borbón and his cousin María de las Mercedes de Orleans fall in love and, although both families do not maintain good relationships, young people marry when Alfonso became king of Spain.
Mercedes Pavón, a famous singer of cuplés is harassed by three men totaly different.
A passionate football player complicates the life of his family driven by his passion. Enthusiastic, fanatic, and passionate, the fervor of football runs through the blood of the main character as if it were a matter of life and death. Raised in an atmosphere of football art supporters, the young man organizes his life around this sport. The comedy is understood as a portrait of the world of football, from the point of view of day to day that passes the protagonist fan.
Madrid, Spain. Eloísa, a self-sacrificing wife and efficient mother, lives in the neighborhood of Maravillas with her husband, a violent policeman; her sanctimonious son, who spends his life studying and praying to atone for the sins of his family; and her two daughters, obsessed with wealth, who hate each other deeply.
Trini is the daughter and granddaughter of thieves. Before it was a specialist in the art of opening safes, but one day decided to change their way of life and is now a cashier at a supermarket. It has also taken a law student boyfriend, but all will be dashed when his father stop, Mr. Baldomero, for stealing 36 kilos of appliances.
Try the descent to Earth, specifically to Spain, of the Three Wise Men.
The young gypsy Peret and his friend Fidel are owners of an inn frequented by tourists. Peret orders the expansion of the business to a young decorator, who falls madly in love with him. Fifth feature by the Rumelo Peret, built for his brilliance, which here plays the owner of a tourist inn, a gypsy rumba singer whose songs will love both a young woman and her mother. A friendly comedy that has as its background the tourist boom of Spain in the late 1960
A tank regiment soldier needs a permit to go to his village to meet his newborn son. It will not be easy, leading to absurd situations featuring the legendary humorist Miguel Gila.
Pere Portabella’s first work as a director starts with the following phrase: “defeated…but not conquered”. This may or should be taken as an allusion to the technical K.O. taken by Portabella from Franco’s regime during the sixties as regards his work as a producer. Through the extremely raging playthings of the words of Catalan poet Joan Brossa, Portabella attempts to dismantle the forms of advertising discourse of that time.
