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William Stack

William Stack

Acting

Biography

William Stack has been often mistaken as British in the scant bio information available on him - he could imitate many a British accent. He was actually born in Oregon. But like many Americans who wished to become serious stage actors and seeing New York as overly competitive, he went to London as a young man. Not much is known about his career there, but with many theaters (almost fifty) and companies around, the opportunities for a talented young man were there. From the craze for post cards with the subject of photos - and especially those of actors that ensued between about 1890 and 1914, there exist pictures of Stack as Hamlet. So Stack did find initial success, and by 1918 he tried his hand in the budding British silent film industry with not much initial interest - just one film that year and another in 1922, then back to the stage. But by 1930 Stack was back in America - and not to Broadway (perhaps in a touring company, but at least not on record as a principal), as was a stage actor's usual course. He did end up in early Hollywood sound pictures - those with marginal sound quality - first with Fredric March as the star in Sarah and Son (1930). With a rich stage actor's voice and accents to apply where needed - and appreciated as audio technology improved - he appeared in from four to ramping up to as many as ten pictures per year through the 1930s. Moving into his 50s, bald and dignified, his roles were focused as featured character pieces - assured doctors, lawyers, judges, nobles, and several butlers. He was one of the Crawley clan in Becky Sharp (1935), the first feature-length three-color film. He perhaps gained press from being in one movie of some scandalous notoriety - Tarzan and His Mate (1934) in which Maureen O'Sullivan appeared to swim nude (somebody else in a body stocking). Although he had a few lines as a white hunter, in this and other films (of note, MGM's first and most famous version of Mutiny on the Bounty, 1935), Stack was not credited for his always believable characterizations. The year 1936 provided Stack with some his most memorable historical roles. He played the French general Montcalm of the French and Indian War in the popular The Last of the Mohicans (1936) with Randolph Scott. The same year he played a much richer character in the film adaptation of the play Mary of Scotland (1936) directed by John Ford. Along with an assemblage of some of the best character actors of Hollywood, Stack played one among a rogues' gallery of self-seeking Scottish lords who included: Robert Barrat, Gavin Muir (another American who spent time in England and was often thought to be British), and Ian Keith. Stack is able to be most Shakespearean, vying in Scottish brogue with his fellow conspirators as the sly Lord Ruthven. Although Stack appeared in many of the best A pictures of the later 1930s, many did not give credit for his great acting skills. There were only a few movies into the 1940s, before he retired - leaving film history all the richer for his screen presence.

Known For

Gone with the Wind
7.9

The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.

Gone with the Wind

1939
Captains Courageous
7.4

Harvey, the arrogant and spoiled son of an indulgent absentee-father, falls overboard from a transatlantic steamship and is rescued by a fishing vessel on the Grand Banks. Harvey fails to persuade them to take him ashore, nor convince the crew of his wealth. The captain offers him a low-paid job, until they return to port, as part of the crew that turns him into a mature, considerate young man.

Captains Courageous

1937
Mutiny on the Bounty
7.4

Fletcher Christian successfully leads a revolt against the ruthless Captain Bligh on the HMS Bounty. However, Bligh returns one year later, hell bent on revenge.

Mutiny on the Bounty

1935
The Fountain
9.2

Set during the first World War in neutral, but pro-German, Holland, Lewis Allison, an interned British officer, is paroled to the castle of Baron Von Leyden and finds living there, but now married to German officer Rupert Von Narwitz, his childhood sweetheart Julie. Long discussions between Julie and Allison, centering on family conflicts that kept them apart, take place before the severely wounded Von Narwitz returns to the castle and more long discussions ensue.

The Fountain

1934
Stowaway
6.7

Chin-Ching gets lost in Shanghai and is befriended by American playboy Tommy Randall. She falls asleep in his car which winds up on a ship headed for America. Susan Parker, also on the ship, marries Randall to give Chin-Ching a family.

Stowaway

1936
The Last of the Mohicans
6.3

The story is set in the British province of New York during the French and Indian War, and concerns—in part—a Huron massacre (with passive French acquiescence) of between 500 to 1,500 Anglo-American troops, who had honorably surrendered at Fort William Henry, plus some women and servants; the kidnapping of two sisters, daughters of the British commander; and their rescue by the last Mohicans.

The Last of the Mohicans

1936
Payment Deferred
5.7

Bank clerk William Marble is desperate for money to pay his family's bills. When his wealthy nephew visits, Marble asks him for a loan, but the young man refuses. Marble decides to kill his nephew. It is a twisted path to justice after Marble is transformed by the crime he committed and the wealth he gains.

Payment Deferred

1932
Libeled Lady
7.3

When a major newspaper accuses wealthy socialite Connie Allenbury of being a home-wrecker, and she files a multi-million-dollar libel lawsuit, the publication's frazzled head editor, Warren Haggerty, must find a way to turn the tables on her. Soon Haggerty's harried fiancée, Gladys Benton, and his dashing friend Bill Chandler are in on a scheme that aims to discredit Connie, with amusing and unexpected results.

Libeled Lady

1936
Manhattan Melodrama
7.0

The friendship between two orphans endures even though they grow up on opposite sides of the law and fall in love with the same woman.

Manhattan Melodrama

1934
Becky Sharp
5.8

In early 19th century England, ambitious and ruthless orphan Rebecca Sharp advances from the position of governess to the heights of British society. The first feature length film to use three-strip Technicolor.

Becky Sharp

1935
Penthouse
6.8

Gertie Waxted knows how notorious gangster Jim Crelliman runs his rackets, because she's long been under the hoodlum's thumb. She's secretly helping lawyer Jackson Durant in a snoop job aimed at pinning a murder on the thug. Her life will be in peril when that secret gets out.

Penthouse

1933
Parachute Jumper
5.8

An Air Force washout and his buddy room with a pretty young lady. Desperate for jobs during the Depression, they finally land employment with the mob.

Parachute Jumper

1933
Chained
7.1

Richard, a millionaire in love with his secretary, Diane, is dispirited when his wife refuses to divorce him. Concerned that Diane will now lose interest, Richard offers her an all-expense-paid cruise to Argentina so that she can think it over. While traveling, however, Diane falls in love with fellow traveler Mike. She resolves to come clean to Richard, but upon return she becomes conflicted when she finds out he was able to get divorced after all.

Chained

1934
Romance
6.5

A beautiful opera star kept by a rich older man falls in love with a young clergyman.

Romance

1930
History Is Made at Night
6.7

An American woman falls in love with a romantic Parisian head waiter who tries to save her from her possessive wealthy ex-husband who wants to keep her under his control.

History Is Made at Night

1937
The Soldier and the Lady
7.3

In the face of rebellion in Russia, Czar Alexander II sends soldier Michael Strogoff 2,000 miles away, with a critical message for Grand Duke Vladimir. On the train journey, Michael befriends a traveler and comes into contact with a mysterious spy, who both unexpectedly aid him in his quest. Once behind enemy lines, Michael is near his hometown and his mother, whom he must avoid in order to fulfill his mission.

The Soldier and the Lady

1937
Criminal Lawyer
6.5

Barry Brandon, a criminal lawyer, visits the night club of Denny Larkin, his primary client, with Betty Walker, a spoiled society girl. The police raid the club and Brandon pleads that the whole group is guilty, just to get even with Larkin for a rebuke. On the same night in court, Madge Carter is on trial for disorderly conduct, and Brandon volunteers to defend her, and proves the case against her if a frame-up. Finding that she is penniless, Brandon hires her as his secretary, and falls in love with her. Brandon is appointed district attorney and has ambitions of becoming the state governor. Having dinner at Betty's home, she maneuvers him, while he is drunk, into marrying her. Later, Madge is a witness when Larkin shoots down a fellow gangster. By threatening Brandon's life, he forces her to commit perjury at his trial, and say he fired in self-defense. Brandon, the prosecuting attorney (who has had his marriage to Betty annulled) knows she is lying but doesn't know why.

Criminal Lawyer

1937
Among the Living
6.1

A mentally unstable man, who has been kept in isolation for years, escapes and causes trouble for his identical twin brother.

Among the Living

1941
Mary of Scotland
6.2

The recently widowed Mary Stuart returns to Scotland to reclaim her throne but is opposed by her half-brother and her own Scottish lords.

Mary of Scotland

1936
The Perfect Gentleman
6.3

A strait-laced country vicar is very embarrassed by his father's naughty exploits with a lively actress.

The Perfect Gentleman

1935