Acting
Police Commissioner Önem leads a special investigations unit that solves tough cases involving violence against women.
Haziran Gecesi is a Turkish romantic drama television series that was shown in Kanal D. It started in 2004 and had 62 episodes. The main actors were played by Özcan Deniz, Naz Elmas and Burcu Kara. Gökhan Kırdar composed the soundtrack to the series which also includes "Yağmur".
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The story revolves around two contrasting women whose lives become unexpectedly intertwined across Istanbul and Macedonia. Aylamaz (Yağmur Tanrısevsin) is a highly successful but deeply lonely obstetrician in Istanbul whose only confidant is an artificial intelligence partner. Her life pivots when she discovers ancient family roots tied to Kayalı Village in Macedonia. There, she meets Mevlüde (Ceyda Ateş), a resilient woman raising a child alone following the tragic death of her husband, whose destiny is tied to mystical seeds and a generational curse.
The Hammer and the Rose: A Behzat Ç. Story is a Turkish-made detective, adventure, comedy, and action internet series inspired by the novel of the same name by Emrah Serbes, which will be published in 2022.
Tells the story of love of a poor orphan man named Maraz Ömer and a poor woman named Ceylan. Two young people who plan marriage plans to work and earn money; Ömer works at the construction site in Kars. Ceylan earns money by cleaning. Ceylan is abused by Taylan, a rich and spoiled young man, and the story begins.
Mehmet, a former police chief who rose quickly through the ranks, has a talent that no one knows about. As the number of unsolved murder cases increases, Mehmet is offered a consultancy position with special powers.
5 friends take a road trip to visit the caves within the Gomeda valley. Little do they know that these caves are still haunted by memories of torture that took place in the past. As they get closer, one by one, their dreams turn into nightmares, their nightmares turn into hallucinations, and their hallucinations turn into reality until the line between real and surreal exists no more: The valley begins to resemble the mother's womb, and the caves begin to resemble the umbilical cord between the mother and her unborn child. The memories of torture give way to the ever-haunting presence of guilt and regret that could only be felt by a mother.
Hayat, her father and bedridden grandfather live in a riverside shack near the dangerously dark but breathtakingly beautiful waters of the Bosphorus. Hayat's father owns a small boat that secures the family's survival through a miscellany of not always lawful ventures. Beyond the motion and romance of the water, Hayat's life is harsh and unrelenting. But Hayat has an instinct for survival. Her capacity for courage, endurance and hope in the face of these trials suggest that there is Life despite the manifold injustices of an unjust world.
