Vítězslav Sýkora

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The full-length film which, though based on Mozart's opera Don Giovanni, is more about the complexity of the time and the world. We witness the creation of a modern production of Don Giovanni, reflecting the controversial present. Mozart's exciting music, uninhibited erotic, and the eternal struggle against evil which constitutes the energy of our existence.

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Mauro Bigonzetti's ballet based on Franz Kafka, performed by the National Theatre Ballet. Choreographer Mauro Bigonzetti, fascinated by the irresistible language of Prague native Franz Kafka and the enduring relevance of his novel "The Trial," was drawn into the dark world of Josef K and created a modern dance production depicting the world of the protagonist and his hopeless struggle with a cold and heartless modern society. Bigonzatti used music by a number of composers from different historical periods, from D. Buxtehude to H. Górecki, C. Monteverdi, and M. P. Mussorgsky. This selection is remarkably balanced and surprisingly contemporary.

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No one has ever managed to enter the dark cave of the fairy Asteria twice. Anyone brought here by chance or curiosity has been petrified. Only the brave Tomas was able to convince the fairy that his anger was mostly self-inflicted. In the end, it wasn't even that hard. It was enough to awaken the feeling of love in Asteria.

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Scenes from the life of composer Zdeněk Fibich accompanied by excerpts from his work in a poetic documentary... The story of the Czech artist is embodied in a single day in the life of his collaborator and lover Anežka Schulzová (Iveta Rálková). Between waking up in the morning and falling asleep at night, she brings fragments of her beloved man's life experiences to life in her memories. It is a drama of emotions that draws her into its trap. Fibich left the safe haven of his family for her love, seeking inspiration in passion and eroticism. This clearly tense human situation is complicated by Anežka's rival and Fibich's wife Betty.

A concert by an exceptional Czech singer-songwriter with unique accompaniment by a symphony orchestra in the KC Peklo hall in Pilsen. Singer-songwriter Radůza has long been one of the most distinctive figures on the domestic music scene. It is fitting that she was discovered years ago by Zuzana Navarová, herself an iconic figure in Czech songwriting. Radůza seems, in a sense, to be following in her footsteps, or at least drawing inspiration from her discoverer. Her distinctive work, delivered in a evocative, raw interpretation, quickly found a large following...

An indispensable symbol of Christmas. J. J. Ryba's most popular composition performed by A. Poláčková, V. Hajnová, P. Nekoranec, J. Šťáva, the En arché chamber choir, the Česká píseň mixed choir, and the Czech Philharmonic Orchestra conducted by J. Bělohlávek. The Czech Christmas Mass, also known as the "Hey, Master" Mass, in Latin Missa solemnis Festis Nativitatis D. J. Ch. acomodata in linguam bohemicam musicam – que redacta per Jac. Joa. Ryba, is a Czech-language church composition by this year's jubilee celebrant Jakub Jan Ryba (1765–1815). Although it is structured in the same way as a Latin musical mass with parts of the ordinary (Kyrie, Gloria, etc.), it is a pastoral play applied to traditional liturgy; the story tells of the annunciation of Christ's birth and the arrival of the shepherds at the manger. The Czech Christmas Mass has a purely pastoral character, set in a Czech environment.

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A cheerful fairy tale about a devil who went among people to find a sinner and found much more. This cheerful fairy tale tells the story of how two young devils, Drmáš and Mezoul, took their final devil exams, but neither of them wanted to finish first! The reward for the winner was to be Lucifer's unpleasant daughter Lucinda. However, the fairy tale is not only about devilish marriage, but also about Drmáš's love for an earthly girl and the fact that, without any of us realizing it, hell is sometimes "devilishly" close!

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The king promised his little golden-haired princess to be married to the prince, the son of his royal friend. The princess grew up to be a beauty, but not golden-haired, but rusty?