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Marcel Camus

Marcel Camus

Directing

Biography

Marcel Camus (21 April 1912 – 13 January 1982) was a French film director. He is best known for Orfeu Negro (Black Orpheus), which won the Palme d'Or at the 1959 Cannes Film Festival and the 1960 Oscar for Best Foreign Language Film. Camus was born in Chappes, in the Ardennes département of France. He studied art and intended to become an art teacher. However, World War II interrupted his plans. He spent part of the war in a German prisoner-of-war camp. On his return from captivity, his uncle, famous novelist, Roland Dorgelès introduced him to several film-makers. Camus assisted filmmakers in France, including Jacques Feyder, Luis Buñuel, and Jacques Becker. In a famous photo of the French New Wave filmmakers, taken on the steps of the Palais des Festivals in Cannes in 1959, Marcel Camus appears alongside François Truffaut, François Reichenbach, Claude Chabrol, Jacques Doniol-Valcroze, Jean-Luc Godard, Roger Vadim, Jean-Daniel Pollet, Jacques Rozier, Jacques Baratier, Jean Valère, Édouard Molinaro and Robert Hossein. In 1958, at the suggestion of producer Sacha Gordine, he travelled to Brazil to adapt for the screen, with the help of Jacques Viot, a play by famous poet and diplomat Vinícius de Moraes, Orfeu da Conceição, which became Orfeu Negro. It was a transposition of the love story of Orpheus and Eurydice to the favelas of Rio de Janeiro during Carnival. The film won over both the general public and a large proportion of the critics. The film was a worldwide success, winning several awards including the Palme d'Or at the 1959 Cannes Film Festival and the Academy Award for Best International Feature Film in 1960. It introduced Europeans and Americans to Rio, Carnival and bossa nova, with unknown black actors and a tender view of Brazil. American-French actress Marpessa Dawn, who played Eurydice in the film, became the director's wife. In 1960, Camus made a second Brazilian-themed film, Os Bandeirantes. This adventure film follows a French diamond miner in Brazil who, after being betrayed and left for dead by a friend, embarks on a quest for vengeance but finds himself falling in love with a Brazilian woman along the way. Twenty years after Orfeu Negro, Camus returned to Brazilian themes for what would prove to be his last film, Bahia (also known as Otalia da Bahia and Os pastores da noite), based on a novel by Brazilian novelist Jorge Amado. These films, however, failed to recapture the success of Orfeu Negro. In 1976, he returned to the country that fascinated him and his wife, Brazil, to direct Otalia de Bahia, adapted from Jorge Amado's novel Os pastores da noite (Shepherds of the Night). In 1970, Camus had a last great success with a World War II comedy, Atlantic Wall, starring the well-known French comedian Bourvil. It was the second most popular film in France in 1970, attracting 4 770 962 viewers. Camus ended his career working primarily in television. Camus married one of the stars of Orfeu Negro, Marpessa Dawn, but they divorced shortly thereafter. He then married another actress from Orfeu Negro, Lourdes de Oliveira. Camus and de Oliveira have two children, including the writer Jean-Christophe Camus. Camus died in Paris and is buried there in Père Lachaise Cemetery. Source: Article "Marcel Camus" from Wikipedia in English, licensed under CC-BY-SA.

Known For

Ce diable d'homme

This devil of a man plunges the viewer into the very heart of the Voltaire whirlwind, that incandescent mind who shook his century. The series follows his meteoric rise, his exiles, his battles and flashes of genius, in a Europe still tightly bound by absolutism. We discover an unbowed, charming, formidable man whose pen makes ministers, kings and fanatics tremble. Between glittering salons, damp prisons and passionate loves, Voltaire crosses the Age of Enlightenment like a meteor. Each episode reveals a confrontation, a flight, a victory wrested through the sheer force of intellect. Carried by elegant direction and a sweeping, novelistic energy, the series paints a vibrant portrait of a fighter for freedom. A journey into the life of a man who never stopped thinking, loving and provoking.

Ce diable d'homme

1978Series
Molière pour rire et pour pleurer
9.5

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

Molière pour rire et pour pleurer

1973Series