Directing
One night in the trenches during the Spanish Civil War, Joan Brossa heard a voice call his name. He didn't see anyone and walked towards where he thought the sound came from. A moment later, a shell hit the ground where he had just been standing. From that moment on, Brossa wanted to be a poet.
A young couple employed by a pet crematorium finds fulfilment in respectfully removing cadavers. Their love blossoms in an environment where the boundaries between human and animal are fading. When they hit a stray dog, their relationship starts to derail.
From the filmmaker's perspective, we follow the process of a possible feature film about a photographer (Lea) tasked with capturing the energy transition in Amsterdam's harbor area. This brings up a flood of memories and associations. What do you do with what hasn't gone well in your life? How well can you know someone dear to you? Filmmaker and character turn out to coincide more and more during the process.
Life Is About Losing Everything is a hybrid documentary, equal parts feminist artist portrait and fantastical memoir, exploring loss and love through the lens of pop culture and art. Based on Canadian poet Lynn Crosbie’s memoir of the same name, the film follows multiple fictionalized incarnations of Crosbie as they embark on a delirious journey through the writer’s memories and imagination, encountering celebrity lookalikes, an inch-tall man, uncanny high schoolers, and a Zombie Sylvia Plath along the way. Drawing on a wealth of pop and literary references, Life Is About Losing Everything reflects on the role of art and storytelling in finding kinship and giving meaning to our lives.
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Over the years, filmmaker Jan Bosdriesz collected curious souvenirs from various countries that he cherishes. He wonders about their history. Among his favourite items are the Russian LPs by Pyotr Leschenko from the 1930s that he once inherited from his father. While Bosdriesz travels to Russia to learn more about the life of the singer whose music was forbidden in Soviet Russia, the turbulent history of the filmmaker's family is also addressed. During his trip, Bosdriesz talks to people who knew Leschenko.
On a train crossing Tanzania, a rolling microcosm of East African society, we follow three main characters, reflecting on the strength to survive.
The highway in the Netherlands has a total length of almost 2500 kilometres. There is almost no other country with such an enormous highway density. In this documentary the monumentality, but also the apparent everydayness of our highway is shown. The highway is actually a poorly known arena for a wide range of activities. What does this monumental and almost perfect network say about us?
New Tiengemeten is the account of the transformation of the little island of Tiengemeten, the last "real" island of South-West Holland. Fertile agricultural land is set aside to allow nature to run its course, according to a carefully drawn up plan. The film follows the development of the island after the departure of the last farmer. The asphalt roads are dug up to creeks, the dike is cut, the farms are given a new destination. Will man succeed in making nature? Nature that is also fit for recreation?
Shy, thirteen year old Xenia doesn't feel comfortable in the overly-regulated society she lives in. In search of a place for herself she discovers an island on which time doesn't seem to exist. This is where she finds the key to her future.
During the International Film Festival Rotterdam in 2002, Leo Hannewijk (festival director Film by the Sea) approached filmmaker and producer Digna Sinke with the idea of asking several film makers to make short films based on poems about the province of Zeeland. It would offer an opportunity to investigate the limits of the medium film and, just like poetry, not to focus on the story but to tackle universal and grander themes through mood and form. In the end, eight short films were realized, by eight different filmmakers. The films are connected by intermezzi, aerial shots of the Zeeland coasts. Poems of the Sea is a stirring and surprising portrayal of Zeeland. Filled with desires and passion.
The only constant in life is change – and that applies to the Amsterdam harbour as well. As part of the energy transition, public authorities decided in 2019 to close down the coal-fired power station. This meant that a landmark on the Amsterdam skyline – Hemweg 8’s smokestack – would disappear.
Six people are about to undertake a journey by foot from the very north of the Netherlands to the very south, in search of the mountains. Only two of them reach the destination.
How do you deal with the fact that someone close to heart has suddenly disappeared without a trace? Can you go on living whilst waiting for his return?
Wistful Wilderness
In a seemingly timeless polder in Brabant's Biesbosch in Southern Holland seasons pass by over unaltered prestine landscape. Change comes when the land is assigned to become a flood area. From the perspective of the tree we see machines and tractors move into the area.
The camera probes the interior of the Sociéty Céramique in Maastricht, arguably the oldest (ceramics) factory in the Netherlands, where the toppled shelves of the abandoned storeroom once housed countless molds of now-forgotten pottery. This melancholy short was produced from offcuts captured during the NIETS IS VOOR DE EEUWIGHEID shoot. The factory has since been sadly demolished, but the short film functions not so much as a nostalgic afterthought or aesthetic urbexing avant-la-lettre, but rather a call to arms to use and work with all manner of beauty, however useless it might seem.
The story of those Italian women who, for eighty years, have fought against power in all its forms.
In a drought-struck region in India, suffering from climate change and a high suicide rate amongst farmers, a group of resilient women farmers, who recently lost their husbands, is coming together with a local psychologist to learn counselling and help others in grief.