Patrick Smith

After moving to a new town with her stressed-out parents and relentlessly popular little sister, Daria uses her acerbic wit and keen powers of observation to contend with the mind-numbingly ridiculous world of Lawndale High.

Downtown is an animated series on MTV on urban life, based on interviews with real people. The show follows a diverse and multiracial cast who live in New York City, and presents their everyday lives through quirky, humorous, and imaginative perspectives from the characters. It was created by Chris Prynoski, a former animator on Beavis and Butt-Head and produced by David McGrath. In 2000, Downtown was nominated for an Emmy in the category of outstanding animated program. Downtown faced a similar fate to many of MTV's other cartoons - it only lasted one season. The use of an original score rather than licensed music makes a sanctioned DVD release unlikely. Some of the show's staff have gone on to work on the action animated series Megas XLR, which uses the same quirky humor found in Downtown as well as the character Goat, reprised by Scott Rienecker.

Slacker duo Beavis and Butt-Head wake to discover their TV has been stolen. Their search for a new one takes them on a clueless adventure across America, during which they manage to accidentally become America's most wanted.

Vintage interview tapes. New animations. The mission is simple: curate and transform journalists' unheard interviews with American icons. The future of journalism is remixing the past.

"Beyond Noh" rhythmically animates 3,475 individual masks from all over the world, beginning with the distinctive masks of the Japanese Noh theater and continuing on a cultural journey through ritual, utility, deviance, and politics.

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Pills and capsules are choreographed into a cacophony of shape, color and size, resulting in a satirical commentary about our cultural, recreational, and economic infatuation with prescription drugs.

In a dystopian world populated by animated wine glasses, a timid character tries to escape an important rite of passage.

Tyrannical wine glasses participate in a sadistic game. The game is interrupted by a self-sacrificial rebellion. After the oppressors are vanquished, a new game is quickly reconstituted among the former victims. Another installment in the “POUR” Series, set in a metaphorical world of living wine glasses. This story explores a twisted game of power dynamics, where two masters dominate their smaller subjects. The only way to end the game is to force the masters to lose interest. An individual glass, number 95, accomplishes this by initiating a self-sacrificial protest, shattering his own head with his fist. This becomes contagious as the others see the results. They all smash their own heads happily and the game becomes impossible to play. Realizing this, the masters move on. Tyranny requires slaves.

Through an escalating series of torture, a possessed sock puppet embodies fear and willful self-destruction.

In this animated film, an innocent greeting between two people is quickly transformed into a tangled struggle, illustrating the twists and turns of a love affair. Relationships are visceral attachments, often leading to one dominating and consuming the other, then moving on easily and heartlessly. This film is autobiographical, a visual metaphor of an experience I had in my youth with one of my first girlfriends, perhaps the first love of my life. We learn a lot from experiences like this.

She tries to swipe her way to happiness, but after an exhaustive body count, she resorts to assembling her dream boy from left over parts. Welcome to the Meet Market!

A boy drinks from a strange potion and discovers the many layers of his identity.

Martin Scorsese in 1990 talks to T.J. English

You are free to choose, as long as you choose red or orange. A powerful pouring machine fills glasses with one of two selected colors. But one glass, a curious fellow with a spring in his step, has the tenacity to mix things up.

A winsome mutation is shunned by a homogenous tribe of siblings. The solitude ends when another genetic misfit appears, together they spawn a new generation of unique and colorful individuals. Modifications in the genetic sequence results in diversity among organisms. These changes occur at many different levels, and they can have a variety of consequences. This film depicts a homogenous world of wine glasses, we see a small vitreous tribe that unwillingly spawns a vibrant genetic misfit. They immediately shun the "Freak" in the cruelest way, leaving the oddity alone and hopeless.

A lineup of glasses joyfully share ideas, growing in scale after each exchange. But the jubilant cycle is halted by a stubborn jar whose head is already filled. Director’s notes: "Pour 939" is an animated cartoon that was initially drawn as an exercise in visualizing the close minded, and their role in halting a fulfilling exchange of ideas. This simple metaphor was never supposed to be a stand alone film, but the more time I spent drawing it, the more I thought it could hold it's own water (or wine). Interestingly, this short film has no real story, it's simply an illustration of an idea: The moment when people who freely share thoughts are confronted with a person who is closed up. I chose the number 939 because it felt very stubborn and limited to me.

In this animated short film, a dystopian environment contains brittle glass characters, they are divided into two sides: the broken and the intact. The spirits that dwell within are either pure or rotten. The broken remain on their side, to waste away into shattered bits. But the shards have a healing property, a process exploited by an ambitious dark soul who desires to be whole, and part of a possessed, twisted, robotic tribe.

"POUR 101" delves deeper into the peculiar cartoon world of living and breathing wine glasses. This is the sixth animation of the series. A morphing type of synthesis occurs when a blue glass awkwardly approaches a glass filled with red. But instead of a perfect mixture, the Red glass retains size color, where as the blue glass inherits an amalgamated mixture, causing him to grow exponentially. Attempting to obtain this abstract growth, the Red glass goes on a frustrated sprinting rampage through multiple blue colored peers, only to stumble upon an empty glass. When performing the exchange on this glass, the red glass is completely drained of its identity.. and now is empty, as the chipped glass walks away full, pleased with its new found contents.

There are currently 393 million firearms in the US. This film shows 2328 of them. Take a look. Blink, and you’ll miss five. The frightening visual power of guns gets a whimsical treatment with jazz percussion, and a sizeable dose of cultural irony.