Christian Carmosino

October 2014. Ouagadougou, the capital of Burkina Faso, is the scene of an unarmed uprising that ousts the dictator in power since 1987 and later staves off an attempted coup. In 2015, the country votes freely for the first time in its history, yet real change remains allusive, especially regarding ongoing economic exploitation by foreign companies. In one year of struggle and resistance, the film follows the daily life of four Burkinabes: a musician and leader of the revolution, a local political candidate, a miner engaged in the labor movement, and an impoverished mother, all sharing hopes that the elections will change the country’s path.

A passionate, disillusioned and possibly (self)ironic portrait of a generation of filmmakers who decided to tread the rugged paths of real cinema.

"The Love Hour" is a film about confines, the complex barriers that make love relationships impossible. To explore this we've chosen a place where barriers are visible and insurmountable, a place where love becomes impossible: in jail. The separation, loneliness and institutionalization of prison life intensifies the waiting, the fears, the hopes, insecurity and neediness, emotional blackmail and dependency. A long tunnel of barriers progressively narrows and eventually blocks out the horizon for a love relationship.