Olga Beshulya

Each of the short stories is based on either one or several stories by a wonderful Russian writer. The heroes are ordinary people “of the people”, contemporaries of Shukshin, all of whose life’s ups and downs are inextricably linked with their country - the Soviet Union of the 60s-70s. The main thing that unites both the works themselves and the films made is a whole gallery of the brightest images and characters, a story about such different destinies and differently meaningful lives, a story in the center of which is invariably Man, with his love, quests, weaknesses and victories.

For many years, separated by a river, two large families lived side by side in a remote Ural village: the Skolchins and the Ermakovs. After the revolution, they found themselves in two irreconcilable camps. But their children fell in love with each other, and the fates of the descendants of these two families became entwined in a tight tangle.

The dramatic story of Nadya, a young woman who, after a misstep in her youth (killing her unfaithful fiancé), tries to right her wrongs and return to a normal life. After serving her sentence, Nadya begins searching for the daughter she gave birth to in prison, and her friend Andrei helps her. Nadya's subconscious and the immense power of maternal love create a unique world in her imagination, through which she now lives.

Kira Georgievna is a famous sculptor. She has a loving husband, friends, and fans. She seems quite happy. But one day the past breaks into Kira's well-adjusted life: Vadim, her first husband, appears. In '37, he was repressed and spent 20 years in camps.

The action of the famous play about the inhabitants of the flophouse has been transferred to our days. The heroes live in a landfill, look for something to sell in the mountains of garbage, steal and drink. One day, Luka appears at the dump, who tries to comfort these people who have sunk to the bottom of their lives.

During a nationwide moral panic caused by a recent spike in teenage suicides two federal investigators are sent to a small Russian town to review a cold case involving a suspicious death of a schoolgirl. Initially seeing their task as a mere PR stunt both gradually start to loose their focus as they venture deeper into the paranoid world of conspiracy theories surrounding the case.

Orléans is a typical provincial Russian town on the banks of a salt lake called Yarovoye. The town is 'steeped in evil'. But it isn't some great evil. This evil is of a banal and everyday type: Lida the hairdresser has indiscriminate affairs, followed by numerous abortions; Rudik the doctor enjoys an endless supply of women, thanks to his position, neglecting his paralyzed father who lives with him and hoping the old man will die soon; the local officer of the law has no qualms about committing murder; a magician from the local circus might actually be sawing women in half on stage... One day, a mysterious man appears in this quiet backwater town. He goes by the title of the Executor: at least that's what it says on his business card...

An inquiry into the nature of identity, the inevitability of death, and the human condition in the twenty-first century.

Annual Charitable Christmas Evening “Action!”

A man finds himself inside a locked prison cell. How and why he got there is unknown. A study inspired by German Expressionist films.