Kirsten Stoltmann

A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.

An experimental film looking at how a housewife struggles with the demands placed on her as a wife, mother, career-woman.

In Oh, Rapunzel, when Rapunzel flees the tower, Condit's mother leaves her home for an independent living facility and a freedom that she has never known.