Adam Wong

Set in rural Hawai’i and featuring an entirely AANHPI cast, Chaperone follows Misha, an unambitious 29-year-old woman who finds a dangerous acceptance in a bright 18-year-old athlete who mistakes her for a fellow high school student.

Wolf, born into a deaf family, embraces sign language with confidence despite obstacles in life; Sophie, having received a cochlear implant at a young age, continuously strives to be seen as "normal" despite having a "deaf accent." Alan, with a cochlear implant like Sophie, is capable of both spoken language and sign language; he advocates for diverse modes of communication within the deaf community. Bound by love and friendship, the three embark on a self-discovering journey that is not without its moments of pain.

The art film “Looking Away” can make him a success. On the field of love, Qiu’s relationship with his girlfriend Enni is okay, but he always worried that Enni would leave him. One day, Qiu Haifan, Qiu’s grandfather, suddenly appeared. He was troublesome by nature, making Qiu’s life difficult.

In Japanese-occupied Hong Kong, a school teacher and her would-be-fiancé link up with Chinese guerrilla fighters, forging their own path to freedom.

Shorts made by 11 directors in order to fight against the SARS epidemy that occurred in China and Hong Kong in 2003. The shorts were produced by the Information Service Departement of the Government of HK SAR. The aim was to bring back confidence to the HK popuation. The running-time is 1 to 2 minutes for each short.12 Short films: 1-"Rhapsody", director: Johnny To and Wai Ka-fai; 2-"My Sow Is Not Feeling Well", director: Fruit Chan; 3-"Smile", director: Teddy Chen; 4-"Of a Cause" (Animation) director: Tsui Hark; 5-"Hong Kong - A Winner", director: Stephen Chow; 6-"Who's Miss Hong Kong?", director: Joe Ma; 7-"Family of Heroes", director: Alex Law and Mabel Cheung; 8-"Until Then", director: Gordon Chan and Dante Lam; 9- "McDull 1:99" director: Brian Tse; 10-"Spring, 2003", director: Peter Chan; 11-"A Glorious Future", director: Andrew Lau and Alan Mak; 12-"Making of 1:99", director: Wong Shou-Ping.

A wonderfully charming and bittersweet story about teenage friendship, idealist dreams and a city that transcend changing times, this rare Hong Kong-produced gem influenced by Hayao Miyazaki and Shunji Iwai sweeps with nostalgia. In search of an answer for her broken marriage, Gigi journeys into her shiny high school year memories only to discover a deeply hidden secret that will transform her life.

Thirteen-year-olds David and Michael are brought together by their mutual love of soccer. United by their obsession with the game and idolization of British soccer stars, the boys build a strong friendship. But as puberty brings about changes, the boys start to grow in separate directions. While David loves to talk about sex and other raunchy topics, Michael tries to avoid such conversations. Eventually Michael must face what he's been avoiding for some time, that his feelings for David are becoming increasingly complex. In his interesting take on adolescent sexual awakening.

After dropping out of her university's dance crew, a working-class student finds inspiration in tai chi for her own unique style of street dancing.

Actress and dancer Hana is becoming a reluctant star while finishing her studies, Dave is doggedly pursuing his dance dreams and Leung is busy with online influencer work, and their pal Heyo is dallying with mainstream success as a rapper. But tension arrives as they and the rest of their crew are asked to promote an urban renewal project.

Magic Boy is a beautiful youth romance set in Mongkok where a girl falls in love with two amateur magicians. One is into stage magic. The other is into street magic. Over 30 genuine magic tricks are performed in this first full length feature in Hong Kong to use amateur magicians as the subject matter. Anjo Leung, in his film debut, is a real student of magic while director Adam Wong continues his sensitive and poetic expression of the frailties of youth, this time using magic tricks as an allegory of the illusory nature of love.

A movie production company executive decided to produce the sequel of the acclaimed dance movie "The Way We Dance", but it's not directed by the original director.

The three sisters of the Chou family reunite after a long absence at their father's funeral, and embark on a supernatural journey to unlock their family's secrets. The three of them search for the spirit of their father because the middle sister wants to ask him a pressing question.

In May 2011, Ming Chow, at her 27 years old, having studied the barista certificate course for only two months, defeated many experienced baristas from the locals and the overseas at the Grand Barista Championship, Hong Kong region. What made Ming Chow's coffee hit the cord of the jury who were international coffee experts?

Lives light up, when the upset Spring meets the innocent Dolphin. Later, however, when Dolphin falls in love with the movies and becomes a director, the skies become dim again. Seeing movies, seeing art and seeing people, how can we really "see" it?

The year is 2021. And Hong Kong is one match away from qualifying for the World Cup. Flash back to 2009. Cheuk-long, aged 18, branded a geek by his girlfriend and an all-round loser by his mother. But he has a dream, ignited by a no-nonsense, Churchill-quoting teacher and driven by a spirited, big-hearted coach. The wannabe footballer grows up overnight, and through blood, toil, tears and sweat, makes the big leaps from the substitute's bench to captaining the Hong Kong side. Three World Cups later, Cheuk-long is one free kick away from making history and legend.

A mistake at the hospital cost a life and a young woman sits on the rooftop and wants to kill herself. Who is to be blamed? The rigid system or indifferent people? For Ng Ho Yin, there is no simple explanation. Adopting a bold approach, he reconstructs the incident in an unconventional order to highlight different individuals personal experience. By doing so, he is also posing a critique on the collective mentality of witch-hunting.

The introverted and well-behaved Kai Leung has moved to a new house with his superstitious mother. Now enrolled in a new school and with the guidance of his class monitor, he develops a curiosity for heaven, in hope of reuniting with his deceased father one day. However, his teachers and students at school, who claim to be pious Christians, decidedly gang up on him for being a heated and an atheist. In retaliation, Kai Leung summons in his mind, the powers from traditional Chinese deities and Gods as forces to counter against unjust ostracisation.