Yohei Okuda

The 17-year-old Yatabe Mineko grew up in a family of seven in a mountain village in northeastern Ibaraki Prefecture. Her father Minoru has gone to Tokyo to work in order to earn extra money. However, her life completely changes when her father does not come back for the New Year. Mineko asks her family to let her go to Tokyo to find him and promises to send money home. In the autumn of 1964, she and two childhood friends Tokiko and Mitsuo are hired to start working at a small factory in Tokyo’s working class neighborhood. After work each day, Mineko searches for her father and gets disheartened at times. Mineko overcomes challenges and starts to lay down roots in Tokyo as she experiences many meetings and farewells amid the laughter and tears with regulars, people of the shopping street, friends, and colleagues. But will she be able to find her father?

Rakugo has the image of a humorous story, but it is also a treasure trove of “scary stories”. Among them, this work boldly arranges a performance in which "human fear" stands out, and does it in an omnibus format. There are four rakugo plays that will be drawn as a drama this time: "Kokoro", "Tatsumi's Tsuji Zou", "Konya Takao", and "Miyatogawa (upper / lower)".

News of "revived people" who should have died humans come back to life was reported all over the world. Meanwhile, Tetsuo Tsuchiya wakes up in the conference room where he works, but his colleague reports that he died of suicide three years ago. However, Tsuchiya, who had a wife and a son and lived a happy life, could not commit suicide, and thought that he was actually killed, lives while pursuing the reason for his death. It depicts how you know the meaning of things, dying, and happiness. 日本語 English

Kondo Isami, a third-year high school student, has good grades but he is forced to decide which path to take because of his family’s financial situation. One day, he learns about the government-affiliated Defence Academy where students are not only exempt from admission fees and school fees, but are given an allowance every month.

The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion.

Shuhei passes the telephone booth installed on the side of the railway and goes home. It was a family reunion once a week, but an odd couple who moved in close to me visited me and started saying and acting as if to stir up the family.

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In 1936, Onodera Toshiko, who moved to Tokyo from Iwate, auditioned for the Moulin Rouge theater in Shinjuku to become a star. On the spot, she catches the attention of the manager and producer Sasaki Senri and the theater's leading actress Takanawa Yoshiko, and then she begins working as a theater's member. Based on the true story of Ashita Matsuko (明日待子), a popular Japanese idol in war period.

Young novelist Haruhiko, along with his girlfriend Ririko, are having lunch with his cousin Yoko as she talks about an important night from three years ago. We cut to: Jiro visits a bar run by Akira and Yoko and reunites after a long absence. Akira and Jiro are best friends since college. Yoko and Akira are now married, but Yoko had a relationship with Jiro in her past. The three friends are excited to be reunited, but at the same time, there is a sense of tension. Yoko and Jiro disappeared while Akira was in the bathroom. Two people burning up under the overpass. Akira catches them in the act... Haruhiko begins writing a novel based on these three people. Ririko tries to stop Haruhiko from sinking into Yoko excessively, but the world of novels has an unexpected ending...

April 30, 2019 marked the last night of Japan’s "Heisei" era. Yuka and Masao are a one-time comic duo who are entering their 30s. They sit in a coffee shop and talk about their lives from childhood to the present.