John W. Comerford

Simon is an intelligent and privileged young man whose family expects him to become a Princeton graduate. Crying out for attention from his reserved and cool hearted family, Simon commits numerous petty crimes and is soon sent away to boarding school where he befriends a "Deadhead," adopts the "hippie" lifestyle and dabbles in many drugs in his search for acceptance.

Newly into addiction recovery, an urgent threat emerges to spur filmmaker, Mark Titus back to the Alaskan wilderness - where the people of Bristol Bay and the world's last intact wild salmon runs face devastation if a massive copper mine is constructed.

On September 22, 1975, 45-year-old Sara Jane Moore took a revolver out of her purse and fired two shots at President Gerald Ford on a crowded sidewalk in San Francisco’s Union Square. This failed political assassination was destined to become a strange historical footnote, yet Moore is revealed as an extraordinary subject in this expansive, fascinating new documentary by the protean Robinson Devor (The Woman Chaser, NYFF37). Having served more than 30 years of a life prison sentence, Moore tells her own story, from FBI informant to would-be assassin, all of which Devor dramatizes against the backdrop of the era’s prevalent political unrest and militancy, of Attica, the Black Panthers, the U.S.-backed Chilean coup, and the Symbionese Liberation Army. A pugnacious and unapologetic interview subject, Moore holds the center of a fleet and compelling nonfiction drama with the feel of a 1970s thriller.

LYNCH: A HISTORY deploys a trove of media footage to explore the legacy of nonconformist NFL star and Oakland Raiders running-back Marshawn Lynch. Culled from nearly a thousand video clips, placed in rapid dramatic juxtaposition, the film becomes a powerful political parable about our media system and its ties to the racial oppressions of our time.

A bemused time-traveling librarian named Flux from the serenity of 2023 to the chaos of Seattle in 1999, where he uncovers video footage from a riot that triggered the city's collapse. Society's obsession with communications technology has created the near-extinction of conversation. People communicate via e-mail and videofax; the film's few face-to-face encounters have a sourish, sitcom-type sting.