
Chantana Tiprachart
Directing
Biography
Chantana Tiprachart is a Thai film director currently based in Bangkok where she works as a producer for GMM Studios International. An Isaan person by birth, Tiprachart spent her younger days in Kalasin where her family owns a rice farm before continuing her higher study in Artistic Communication at the Faculty of Humanities and Social Sciences, Burapha University.
Known For

Eight friends reunite at a forest vacation house to bid farewell to Jin, but eerie events and a hidden ninth presence unveil dark secrets and deadly chaos.
Dead Friend Forever

Six guys — all whose name is Tee, and each with their own qualities — find themselves cohabiting under the same roof, in the process learning more about not only one other but also themselves, every day.
I'm Tee, Me Too

Film-maker Ann has an upcoming project about the 1976 massacre of Thai students. She interviews Taew, a survivor, at a mountain retreat only to have her perspective change as the project progresses.
By the Time It Gets Dark

This is the story of chaotic teenagers whose love for dancing Nha Harn is at the heart of their existence. Yuphin must choose between two guys: one she can't forget and another who's extremely good. Sawan is a Mor-Lam. Singto sells amulets at the market fair.
Nha Harn The Series

A student named Song who has a secret crush on her senior. Therefore decided to form a rock music contest band in hopes to bind that woman's heart.
Bad Boyz Band

A collection of short films by five Thai directors imagining their country ten years into the future.
Ten Years Thailand

Yupin and her company love to hang around the Isan traditional dance floor rather than in classroom. She met and fell for Singto at the amulet stand in front of the temple. Their relationship blossomed but then Singto suddenly left her.
Nha Harn

A family-themed film, drama and comedy that tells a story about a family that has had a long cheese-making ritual.
The Cheese Sisters

Hoping to build a clothing brand to save her family's dye factory, a young outcast must learn to navigate college life, friendship and her ambition.
Blue Again

Erotic fantasies can come to life in the rooms of Motel Mistress. But whether these will be pleasurable for those involved is another matter. A strange disappearance, revenge and aliens all turn up one typical afternoon in this love nest.
Motel Mist

A satellite technician’s enthusiasm towards her extraordinary discovery is not shared by her bureaucratic superiors in this pointed and patient socio-political critique.
Transmissions of Unwanted Pasts
A down-on-his-luck young filmmaker returns to his hometown in Northeastern Thailand to reclaim his family’s land that was stolen by a corrupt local politician. He must gather a team of old friends—both locals and outcasts—to pull off a high-risk heist set against the chaotic, colorful backdrop of the Rocket Festival.
Esarn Seven

When his grandfather falls ill, Jay quits his job to return home. Unfortunately, his grandfather dies before he arrives. At the funeral, Jay confronts the past that he never been able to escape.
Until We Meet Again
objet a (working title) is a short video that captures and explores the act of gazing, as well as the experience of being gazed upon. The landscapes in these moments are often shrouded in darkness, fog, smoke, or elusive lighting, blurring the lines between day and night, and between the artificial and the natural. The faces of workers, staring ahead with intense desire, seem to emerge from different timelines, yet somehow converge into a singular, collective moment.