Maxime Corbeil-Perron
Directing
Biography
Maxime Corbeil-Perron (he/him) is a Tiohtià:ke/Mooniyang/Montreal-based artist whose practice unfolds in a multiplicity of mediums: audiovisual performance, experimental cinema, electroacoustic composition, improvisation, sound art and installation. His recent works present an approach related to media archaeology, in which he seeks to establish relationships between obsolete media and contemporary technologies, in search of new aesthetic possibilities.
Known For
An audiovisual work which blends traditional technologies, obsolete media technology, modern software and digital media to create a timeless aesthetic. Using the movement of light in space as a genesis, it aims to create a coherent syntax between image and sound.
Displacement
Origami plays with perspectives and dimensions. Fractals and luminous geometry are here liquefied by the cathode-ray tube of a hacked television set.
Origami
On a film reel electrified by static charges, we meet five people who survived the impact of lightning.
The Visible Spectrum
No description available.
Lumière synthèse
Inspired by Japanese experimental cinema, Ghostly is an audiovisual composition that uses traditional techniques, such as long exposure photography and stop-motion animation, and pushes them to their limits through digital media. Using the frame rate as a way to create rhythmic interconnections between sound and image, the stop-motion animation oscillates between 6 and 48 frames per seconds. The sounds of this work were created and edited in direct relation to the flow of the image.