Grzegorz Falkowski

Twenty years after a devastating terrorist attack in 1983 that halted the course of Poland's liberation and the subsequent downfall of the Soviet Union, an idealistic law student Kajetan and a disgraced police investigator Anatol stumble upon a conspiracy that has kept the Iron Curtain standing and Poland living under a repressive police state.

A group of teenage altar boys, frustrated by the indifferent attitude of adults and the Church towards social injustices, decides to implement their own unconventional plan for moral renewal of their neighbourhood. Armed with youthful rebellion and their personal interpretation of the Bible, they set up a wiretap… in the confessional.

A young detective seeks the help of a discharged police officer, giving him the chance to reclaim his old life in exchange for solving a bank raid case.

Comedy about Zdzisław Najmrodzki, most famous polish criminal in the times of Polish People Republic, named "the getaway king", known for stealing cars and escaping prison many times, but never hurting anybody.

In a series of linked stories, women navigate and challenge a dystopian future ruled by sexual duty, emotional repression, and patriarchal dominance.

Antoni Krauze reminds one of the darkest history of the cards with PRL. Spectacular reconstruction of the dramatic events in Gdynia, ended a brutal pacification of demonstrators by troops and militia in 1970.

In order to save their rehab facility, four cross-addicted anonymous alcoholics undertake a very risky task to smuggle two tankers of spirit across Poland. For their own safety, they kidnap their therapist for the trip. However, the journey turns out to be more dangerous than they expected. After them – or rather the illegal alcohol they are transporting – is a Customs Officer, who is not entirely who she says she is. From then on, everything gets complicated.

One morning, the protagonist is woken up (or is it still part of his dream?) by mysterious figures who accuse him of not taking part in the competition going on in the world, of living ‘too slowly’, of being a grey ‘everyman’ – a nobody.

The story of what daily life was like in Poland under communism: private conversations, cruel interrogations, recruitment attempts, recorded and filmed with hidden devices; of how the secret services spied on every activity of ordinary citizens: nothing escaped the brutal system of control developed by the Soviets in the name of freedom.

A companion film to Miraculous Accident, Forgotten Solidarities returns to Nadir, Edyta, and Jarek from another angle: in 2025, Nadir, a Moroccan former exchange student at Łódź Film School, comes back to Poland to make a film from a buried past shadowed by 1968, where cinema, evidence, and intimacy blur into power, manipulation, and accusation.

The story is composed of fragments of lives lived in northern Scania. Some of them are mundane, while others border on the magical. But like shadows over the landscape, some protagonists are distinguished: Beata, a seasonal worker who comes to Sweden for the first time; Aaron, a young man with a broken heart returning to the place where he grew up, and Billie, a girl lost in her first summer vacation. As the film follows their lives, which slowly merge with the landscape.

A prehistoric fish takes its first step on dry land, a cuddling T-Rex couple is about to become extinct after a meteorite impact, while in Poland it is 1963 and the Winter of the Century is in full swing. Chimneys cheerfully spit out clouds of black smoke. A young coal loader is madly in love with a beautiful crane operator. The heat of his love will not let him freeze as he struggles with the piercing frost and trudges through snow drifts guided by wild desire. Our hero and heroine, still totally unaware of global warming and excessive carbon dioxide emissions, will play their parts in a human comedy of love and death.

Franek, a student of painting. By coincidence becomes involved in the cogs of a horrific totalitarian machine. His sensitivity and humanity will be heavily tested.

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